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? 9.1 播放：37萬(wàn) 2026-04-26

　　20世紀(jì)40年代，戰(zhàn)爭(zhēng)陰影籠罩全世界。日本某個(gè)山村，壯年男子黑川久藏（大西信滿 飾）應(yīng)征入伍，歸來(lái)時(shí)卻變成了截去四肢、半邊臉燒傷、耳聾嘴啞的廢人。他的妻子茂子（寺島忍 飾）無(wú)法接受這個(gè)事實(shí)，幾欲自殺。不過(guò)久藏卻被村民乃至政府大肆吹捧，奉為“活著的軍神”。在村民和親族的勸說(shuō)下，茂子接受了幾乎面目全非的丈夫。殘缺的久藏?zé)o法感知到國(guó)內(nèi)外的風(fēng)云變幻，最基本的原欲成為了他迫切的需求。縱使茂子一百個(gè)不情愿，她仍要盡到一個(gè)做妻子所可能盡到的責(zé)任。在這一過(guò)程中，“軍神”和“軍神之妻”那脆弱的虛榮漸漸破滅，她和久藏各自面臨靈魂深處無(wú)法回避的痛苦……　　本片根據(jù)江戶川亂步的同名短篇小說(shuō)改編，并榮獲2010年柏林國(guó)際電影節(jié)銀熊獎(jiǎng)最佳女主角獎(jiǎng)（寺島忍）。

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劇情提要

　　20世紀(jì)40年代，戰(zhàn)爭(zhēng)陰影籠罩全世界。日本某個(gè)山村，壯年男子黑川久藏（大西信滿 飾）應(yīng)征入伍，歸來(lái)時(shí)卻變成了截去四肢、半邊臉燒傷、耳聾嘴啞的廢人。他的妻子茂子（寺島忍 飾）無(wú)法接受這個(gè)事實(shí)，幾欲自殺。不過(guò)久藏卻被村民乃至政府大肆吹捧，奉為“活著的軍神”。在村民和親族的勸說(shuō)下，茂子接受了幾乎面目全非的丈夫。殘缺的久藏?zé)o法感知到國(guó)內(nèi)外的風(fēng)云變幻，最基本的原欲成為了他迫切的需求。縱使茂子一百個(gè)不情愿，她仍要盡到一個(gè)做妻子所可能盡到的責(zé)任。在這一過(guò)程中，“軍神”和“軍神之妻”那脆弱的虛榮漸漸破滅，她和久藏各自面臨靈魂深處無(wú)法回避的痛苦……　　本片根據(jù)江戶川亂步的同名短篇小說(shuō)改編，并榮獲2010年柏林國(guó)際電影節(jié)銀熊獎(jiǎng)最佳女主角獎(jiǎng)（寺島忍）。

幕后花絮

另一個(gè)時(shí)間

　　當(dāng)一個(gè)男人愛(ài)上一個(gè)訂婚的女人時(shí)，他決定設(shè)計(jì)一個(gè)計(jì)劃－回到過(guò)去在她遇見(jiàn)她未來(lái)丈夫之前追到她，透過(guò)他的才智與金錢，配合科學(xué)家教授多年來(lái)的研究，他將回到過(guò)去搶得先機(jī)，一旦回到過(guò)去，他會(huì)發(fā)現(xiàn)愛(ài)總是在他意想不到的地方…

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.