劇情簡介
They"re Playing with Fire (1984)關(guān)于師生戀題材的影片,一句話描述為:欲火玩正歡,禁臠味最鮮。已婚大學(xué)教授西比爾催討決定去勾引她的學(xué)生,被她雇了一個(gè)勤雜工,她的游艇。猶豫不決的學(xué)生屈從于他的體態(tài)豐滿的教授,但他們的戀情是由她丈夫的精心設(shè)計(jì)的 hellip; hellip;
為你推薦
迪瓦塔·繆斯
一位菲律賓祖母即將步入晚年,她放棄了自己的八十歲生日聚會(huì),去召喚她早已去世的孫女的靈魂,試圖通過壓抑的記憶來彌補(bǔ)過去的過錯(cuò)。
愛定你殺定你
塞西爾·德·弗朗斯,麥溫,菲利普·納翁,弗蘭克·卡方,安德烈·芬蒂,瓦娜·佩利亞,Marco Claudiu Pascu,Jean-Claude de Goros,Bogdan Uritescu,加布里埃爾·斯巴修青春少女瑪麗(Cécile De France 飾)和愛莉西婭(Ma?wenn Le Besco 飾)是同在法國巴黎一所大學(xué)就讀的好朋友。某個(gè)周末,兩人驅(qū)車前往愛莉西婭家位于鄉(xiāng)下的農(nóng)場度假。適值深夜,萬籟俱寂,瑪麗寂寞難耐正在自我宣泄之時(shí),一個(gè)不速之客突然闖入。他殘忍殺害了愛莉西婭的父母和年幼的弟弟,并將其擄去。為了營救好友,瑪麗悄悄鉆進(jìn)兇手的卡車。途經(jīng)一個(gè)加油站,她換上同樣慘遭殺害的店員的車?yán)^續(xù)跟蹤,卻被狡猾的兇手發(fā)現(xiàn)行跡。一場近乎迷幻的貓鼠殺戮游戲旋即進(jìn)入高潮…… 本片榮獲2003年Sitges – Catalonian國際電影節(jié)最佳女主角(Cécile De France)、最佳導(dǎo)演、最佳化裝和歐洲奇幻電影大獎(jiǎng)銀獎(jiǎng)。
丹下左膳:大岡越前外傳
森山未來,黑木華,每熊克哉,福士誠治,加藤諒,平祐奈,宇梶剛士,相島一之,榎木孝明,橫內(nèi)正,田邊誠一,田村亮,高橋克典平侍出身、獨(dú)眼的劍豪丹下左馬之介(森山未來 飾),奉相馬家當(dāng)主大膳亮(每熊克哉 飾)之命,前往江戶小野冢道場奪取傳說中的一對(duì)妖刀“乾云丸”與“坤龍丸”。他以忠義為念拼死挑戰(zhàn),卻在激斗中失去了右臂。幸得通緝犯阿藤(黑木華 飾)與與吉(加藤諒 飾)相救,奇跡般地存活下來,化名“丹下左膳”重生。此后,圍繞妖刀的陰謀不斷擴(kuò)大,敵人接踵而至,連町奉行大岡忠相(高橋克典 飾)也卷入其中——一場關(guān)乎忠義與命運(yùn)的江戶風(fēng)云由此展開。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
暗黑新娘!
杰西·巴克利,克里斯蒂安·貝爾,彼得·薩斯加德,安妮特·貝寧,杰克·吉倫哈爾,佩內(nèi)洛普·克魯茲,約翰·馬加羅,珍妮·柏林,路易斯·坎瑟米,馬修·馬希爾,朱莉安·浩夫,威廉·希爾,斯蒂芬妮·特洛亞克,馬西爾·摩丹,馬科·查卡,莉迪亞·凱莉,索菲婭·科,本·格林,伊蓮·阿普魯澤西,安東尼·貝里尼孤獨(dú)的科學(xué)怪人弗蘭肯斯坦(克里斯蒂安·貝爾 飾)來到了1930年代的芝加哥,懇請(qǐng)頂級(jí)科學(xué)家尤弗洛尼斯博士(安妮特·貝寧 飾)為他創(chuàng)造一位伴侶。兩人成功復(fù)活了一名被謀殺的年輕女子,“新娘”(杰西·巴克利 飾)就此誕生。然而事態(tài)發(fā)展卻遠(yuǎn)超兩人想象:謀殺接踵而至,占有欲瘋狂滋生,新娘能否掙脫“被創(chuàng)造”的命運(yùn)?在暗黑混沌的逃亡路上,一場女性覺醒風(fēng)暴開始席卷整個(gè)世界。
遺忘尼克
英格麗德·波爾索·貝達(dá)爾,露西·波爾,哈魯克·比爾根納爾,卡蒂婭·里曼,科斯馬·肖,羅伯特·西利格故事發(fā)生在車水馬龍的繁華大都市紐約,嘉德(英格麗德·波爾索·貝達(dá)爾 Ingrid Bols? Berdal 飾)是一名職業(yè)模特,擁有性感的身材和天使般的容貌,活躍在時(shí)尚秀場和雜志的封面之上?,斃麃啠巍と鹇?Katja Riemann 飾)性格溫柔又賢惠,獨(dú)自撫養(yǎng)著孩子,是一位堅(jiān)強(qiáng)而又樂觀的單身母親。這看似八竿子打不到一起的兩人,她們的生命卻因?yàn)橐粋€(gè)名叫尼克(哈魯克·比爾吉納 Haluk Bilginer 飾)的男人而被牢牢的拴在了一起,她們都曾瞎了眼和尼克有過一段失敗的婚姻,而根據(jù)婚前協(xié)議,兩人都被尼克安置到了位于曼哈頓的豪華頂層公寓之中。 兩個(gè)性格迥異的女人之間,戰(zhàn)爭一觸即發(fā)。
我的曼啊:2025圣誕特別篇
露茜·彭奇,喬安娜·拉姆利,菲利帕·鄧恩