劇情縱覽
七個(gè)月前,Kyoko和男友分手了,她開始陷入了很頹靡的一段狀態(tài)。Kyoko喜歡透過鏡頭看世界,她得到了一個(gè)初版裸體女性照片的雜志拍攝作品的工作機(jī)會(huì),在機(jī)緣巧合下,她遇見了AobaKawai,并且Kyoko勸服了她拍攝照片,兩人在照片和對(duì)話中,越來越親近...
七個(gè)月前,Kyoko和男友分手了,她開始陷入了很頹靡的一段狀態(tài)。Kyoko喜歡透過鏡頭看世界,她得到了一個(gè)初版裸體女性照片的雜志拍攝作品的工作機(jī)會(huì),在機(jī)緣巧合下,她遇見了AobaKawai,并且Kyoko勸服了她拍攝照片,兩人在照片和對(duì)話中,越來越親近...
一場(chǎng)意外讓小櫻(鐘楚紅 飾)和阿霖(鐘鎮(zhèn)濤 飾)相識(shí)了,隨著時(shí)間的推移,兩顆心越靠越近,兩人最終走到了一起。沒過多久,他們就決定搬到同一屋檐下,開始了同居生活??墒?,零距離的接觸在令他們更加親密的同時(shí)也帶來了很多的隱患,小櫻和阿林都感覺多,兩人的個(gè)性并不是表面上看起來的那么合拍。久而久之,這段感情開始出現(xiàn)了裂痕。 阿林是一名操盤手,他的介入導(dǎo)致了他的一個(gè)朋友賠錢賠到傾家蕩產(chǎn),而這件事情也促成了他和小櫻之間的決裂。和小櫻分手后,阿林痛定思痛,內(nèi)心充滿了愧疚的他決定不惜丟掉工作也要揭露股市中的隱藏的陰謀。
危險(xiǎn)且不可預(yù)測(cè)的任務(wù)!在這飽受戰(zhàn)爭(zhēng)蹂躪的國(guó)家,他能否改變現(xiàn)狀? 麥可福斯特曾是一名士兵,后來成為承包商,他和他的團(tuán)隊(duì)發(fā)現(xiàn)自己在一個(gè)與內(nèi)戰(zhàn)殘余和秘密犯罪分子作斗爭(zhēng)的國(guó)家中執(zhí)行著一項(xiàng)危險(xiǎn)的任務(wù)…
外表漂亮的子晨?jī)?nèi)心充滿著欲望,漂亮的包包和高檔的手表的加持,子晨在人群中格外顯眼,子晨得到了極大的滿足。然而真正的奢侈品是愛情,子晨開始瞞著自己的丈夫和花花公子開始交往,隨著時(shí)間的推移,債務(wù)暴雷,情感更是騙人的游戲,子晨終于把自己推向了絕境。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.