一加二的故事
一場車禍奪去了兩個(gè)動物學(xué)家兄弟的妻子，隨后，他們一邊迷戀著那個(gè)在車禍中失去一條腿的女人，一邊用攝影機(jī)記錄各種動物尸體腐爛的過程。在影片靜態(tài)的畫面中，那些鱷魚、小狗、天鵝、斑馬的尸體一點(diǎn)點(diǎn)地變黑、干癟、噴出腐水、爬出蛆蟲。最終，女人那條剩下的腿也;漸漸死去、被截除，她在生下一對屬于兩兄弟的雙胞胎之后死去。兩兄弟則在鏡頭前注射毒劑，把自己的尸體作為最后一種研究和展示對象。
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四人新世界
董驃,呂方,黃韻詩,吳雪雯,秦沛,吳啟華,邵國華逆轉(zhuǎn)上半場
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少林俗家弟子
范冬雨,何晴,丁嵐,王赤,趙小銳程家少爺程亦鵬（范冬雨 飾）癡迷武術(shù)，程父試圖用婚姻約束其行為，程亦鵬遂決定遠(yuǎn)上少林做俗家弟子，如此既可躲避習(xí)武力強(qiáng)的未婚妻小翠，又能學(xué)習(xí)少林功夫，在與心上人小晴（何晴 飾）話別后，亦鵬奔赴少林。然而師父恒德（趙小銳 飾）日日只是讓一班俗家弟子做苦工，不肯教授少林功夫，師兄弟們雖不滿卻也無可奈何，加之小晴在少林附近落腳，程亦鵬和師兄弟們學(xué)著用各種方法苦中作樂。曾經(jīng)被逐出少林的一游俠在遍訪名師后，意欲挑戰(zhàn)少林，以報(bào)當(dāng)年未學(xué)到武功之恨，程亦鵬等俗家弟子被游俠多次毆打，恒德欲同游俠較量反被方丈關(guān)入藏經(jīng)閣。程亦鵬經(jīng)過苦工打熬，終有習(xí)武資格，在恒德指點(diǎn)下向游俠一雪前恥……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
佐藤妻夫物語
岸井雪乃,宮澤冰魚,藤原櫻,三浦獠太,田村健太郎,前原滉,山本浩司,八木亞希子,中島步,佐佐木希,田島令子,柳原晴郎佐藤保和佐藤幸性格截然不同卻莫名投緣，一路從相識交往走到結(jié)婚生子。保曾多次參加司法考試卻屢屢落榜，沒想到陪他備考的幸卻先通過了考試，成為了職業(yè)律師。一邊是邋遢的律師妻子，一邊是被育兒壓得喘不過氣的落榜丈夫——這對夫妻之間維持著微妙的平衡，在歡笑與心酸中勾勒出一段真實(shí)的愛情故事。本片主演為憑借《惠子，凝視》獲得第77屆每日電影最佳女主角的岸井雪乃，以及憑借《利己主義者》獲得第78屆每日電影最佳男配角的宮澤冰魚。兩人的默契演繹為影片注入真實(shí)的情感張力，折射出現(xiàn)代社會中人與人之間的溝通困境，探討了人們與“他人”之間的理解與妥協(xié)。
分享鎮(zhèn)
達(dá)科塔·約翰遜,阿德里婭·阿霍納,凱爾·馬文,邁克爾·安蓋洛·科維諾,西蒙·韋伯斯特,查理·吉爾萊斯皮爾,大衛(wèi)·卡斯塔尼達(dá),O·T·法格本,娜赫瑪·里琪,蒂龍·本斯金,尼可拉斯·博朗,萊奧·亨尼利,羅賓·吉倫,利蒂希婭·布魯克斯,泰勒·豪爾,艾米麗·歐康納,盧克·麥克菲爾,讓-克勞德·莫萊斯,賈·旁,杰西卡·馬圖琳,斯蒂芬·阿德科魯,尼古拉斯·波舍爾在阿什莉提出離婚后，凱里向好友朱莉和保羅尋求慰藉，卻發(fā)現(xiàn)這對表面幸福的夫妻實(shí)則奉行開放式婚姻。但當(dāng)凱里逾越界限時(shí)，所有人的感情生活都陷入了混亂漩渦。
鬼聲波
羅絲·麥高恩,克里斯托弗·洛伊德,邁克爾·艾克朗德,理查德·古恩,Jane MoffatA writer who studies the paranormal believes that low frequency tactile sound is the cause for reported ghost sightings in an abandoned subway station. In an attempt to debunk the sightings, she breaks into the station to record evidence.