影片推薦
噬血芭蕾
阿麗莎·威爾,梅麗莎·巴雷拉,丹·史蒂文斯,凱瑟琳·紐頓,凱文·杜蘭,吉安卡羅·埃斯波西托,安格斯·克勞德,威廉·卡特列特,馬修·古迪葬送
蔻碧·米納菲,尼爾·桑迪蘭茲,凱特·伯頓,皮特·普勞澤克,沃恩·阿姆斯特朗,切爾西·阿爾登,Alaina Pollack,Riley Rose Critchlow,洛拉·凱莉,Mia Ellis再一英里
瑞安·菲利普,艾米麗·霍菲爾,莎拉·坎寧,Sage Linder,貝薇莉·埃利奧特,菲爾·伯克,加布里埃爾·哈辛托,C·托馬斯·豪威爾,喬納森·懷特賽爾,裘德·威爾遜,加菲爾德·威爾遜,Keana Velsen,西蒙·錢,威廉·威爾德,Loreen Regnander,Parveen Dosanjh,Elliot Drew,安德魯·科蘭特斯,Tommy Europe,Karina Frislev自拍復(fù)印機(jī)
Shenina Cinnamon,奇科·庫爾尼亞萬,Lutesha,杰羅姆·庫尼亞,迪婭·潘德拉,Giulio Parengkuan,Mian Tiara,魯思·馬里尼,盧克曼·薩爾迪,Rukman Rosadi,Landung Simatupang,雅彥·魯伊安,Elisabeth Pasaribu,Budi Ros,東尼·達(dá)瑪拉殯葬師
馬索·曼恩,愛德華·福隆,安吉利·贊巴拉娜,Luis Da Silva Jr,安東尼·邁克爾·弗雷德里克冥界
杰森·倫敦,羅伯特·英格蘭德,Gianni Capaldi,洛麗娜·卡姆布羅瓦,黛安娜·柳貝諾娃,阿塔納斯·斯雷布雷夫,Nikolay Valentinov Lukanov,John Strong,斯蒂芬·施特雷夫,Julieta Koleva,Todor Dotsev,Dimitar Banchev,Lyuben Popov同類精選
影視排行
不可饒恕1992
克林特·伊斯特伍德,吉恩·哈克曼,摩根·弗里曼,理查德·哈里斯,杰姆·沃爾福特,紹爾·魯賓內(nèi)克,弗蘭西絲·費舍,安娜·萊文,大衛(wèi)·木西,羅伯·坎貝爾,安東尼·詹姆斯,塔拉·弗萊德里克,貝弗利·埃略特,莉薩·雷波-馬特爾,喬西·史密斯堪薩斯的農(nóng)民威廉(克林特·伊斯特伍德 Clint Eastwood )年輕時曾是出名的殺手和劫匪,然而當(dāng)遇上了克勞迪亞后,他的生活開始徹底改變。威廉和克勞迪亞結(jié)婚生子后,洗手不干,一家人過著幸福的生活。好景不長,克勞迪亞不久故去,威廉獨立帶著兩個孩子過著清貧寧靜的生活。 這時,該地區(qū)發(fā)生了一起牛仔醉酒毆打妓女并將其毀容的惡性事件,壞蛋警長達(dá)格特(吉恩·哈克曼 Gene Hackman 飾)只將此事草草了結(jié),兇手仍逍遙法外。當(dāng)?shù)丶伺娂娋桢X,要求懸紅1000美金請殺手來伸張正義?!八伎品茽柕滦∽印闭业酵?,要求合伙干這票買賣。為了給孩子們一個幸福富足的家庭,威廉終于答應(yīng)再次出山。
殘酷的夏日
翟乃社,曲國強(qiáng),鄔倩倩,張嘉益諸家老太有兩個兒子夢龍和夢飛,以及一個養(yǎng)孫國榮。16年前,一伙以張振邦為首的歹徒為了報復(fù)諸老太在公安局工作的丈夫,欲把夢龍和夢飛活埋,國榮的父親得知后,救出了兄弟倆,自己卻被燒死,諸老太為了報恩,收養(yǎng)了國榮,并且對他十分疼愛。不想,16年后的今天,國榮卻陷入了張的販毒集團(tuán)。夢龍出于對國榮的愛護(hù),在知道國榮販毒后,私下包庇他。在公安局工作的夢飛在緝拿國榮的過程中,國榮因拒捕被擊斃,夢龍被夢飛帶上了手銬。
老板和小可愛
薩爾瓦托雷·埃斯波西托,Fabiana Martucci,Antonio Milo,希羅·埃斯珀斯托,薩爾瓦多·斯特里亞諾,Riccardo Cicogna,Gianantonio Mellone Martinone,阿涅洛·阿雷納
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster