女老板妓女

7.8 播放:39萬 更新:2026-05-02
主演:閔度允 

吉澈是一個(gè)只會玩和吃的求職者,是經(jīng)營一家小店的恩杰的男朋友。與此同時(shí),一位名叫Joong hoo的hikikumori在無意中看到了Eun je后,成為了???。她把自己的善良誤認(rèn)為是對自己的愛。鐘虎開始每天跟蹤她的SNS。最后,他一臉無辜地走近恩杰,成功地將恩杰鎖了起來。由于恩杰失蹤,貨幣供應(yīng)被切斷,吉哲渴望找到恩杰。Ji-cheol對金錢而不是對恩杰的安全感到悲傷,她試圖從自己的零用錢中引誘Mi-seon。恩杰(Eun je)通過隱藏的攝像頭看到了這兩人的婚外情場景,在與鐘虎喝酒時(shí)解除了鐘虎的武裝,認(rèn)為她應(yīng)該離開那里。恩杰最終逃脫了。如果沒有恩杰,鐘虎感到空虛,就把米仙關(guān)在里面,米仙對他視而不見。三個(gè)月后,有人來到鐘虎家,然后......

播放通道

詳細(xì)簡介

吉澈是一個(gè)只會玩和吃的求職者,是經(jīng)營一家小店的恩杰的男朋友。與此同時(shí),一位名叫Joong hoo的hikikumori在無意中看到了Eun je后,成為了???。她把自己的善良誤認(rèn)為是對自己的愛。鐘虎開始每天跟蹤她的SNS。最后,他一臉無辜地走近恩杰,成功地將恩杰鎖了起來。由于恩杰失蹤,貨幣供應(yīng)被切斷,吉哲渴望找到恩杰。Ji-cheol對金錢而不是對恩杰的安全感到悲傷,她試圖從自己的零用錢中引誘Mi-seon。恩杰(Eun je)通過隱藏的攝像頭看到了這兩人的婚外情場景,在與鐘虎喝酒時(shí)解除了鐘虎的武裝,認(rèn)為她應(yīng)該離開那里。恩杰最終逃脫了。如果沒有恩杰,鐘虎感到空虛,就把米仙關(guān)在里面,米仙對他視而不見。三個(gè)月后,有人來到鐘虎家,然后......

同類推薦

心之高歌

Carola Insolera,Emilio Insolera,Antonio Iorillo,Simonetta Pellizzer,Sarah Toscano,塞雷娜·羅西

作為聾人家庭唯一能聽見聲音的成員,含羞的少女發(fā)現(xiàn)自己擁有唱歌天賦,她不得不在履行責(zé)任和尋找自己的道路之間做出抉擇。

惡夜勒贖

費(fèi)爾南多·卡約,曼努埃拉·貝列斯,阿娜·瓦格納,德里坦·比巴

  平靜的一天,事業(yè)小有成就的中年男子杰米(費(fèi)爾南多·卡約 Fernando Cayo 飾)和妻子瑪爾塔(安娜·瓦格納 Ana Wagener 飾)、女兒伊莎(曼紐拉·維拉斯 Manuela Vellés 飾)搬入了夢寐以求的大房子內(nèi)。正當(dāng)一家人爭論晚上該不該一起度過時(shí),三個(gè)蒙面歹徒闖入房中。為了保護(hù)家人的安全,杰米積極配合,抄下了信用卡號碼并交出手機(jī),并隨同歹徒的首領(lǐng)外出取錢。他時(shí)刻尋找機(jī)會報(bào)警,卻不知自己所面對的是根本不會妥協(xié)的冷血惡魔。另一方面,不斷有訪客扣響杰米家的房門,恐慌的瑪爾塔母女則想盡一切辦法逃脫,似乎又讓一切變得更加糟糕?! ∷茻o止境的長夜,愈加黑暗幽冷……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

象山發(fā)光事件

小沈陽,王唯,張登平,倪景陽,田理,董芷依,胡涂,李歐,孟和烏力吉

  十年前的一次超自然發(fā)光事件導(dǎo)致張鵬(小沈陽 飾)的好友神秘失蹤,十年后,張鵬跟隨攝制組重返事發(fā)地尋找真相。當(dāng)他們再次來到“發(fā)光禁地”時(shí)卻頻繁遭遇離奇恐怖的事件,認(rèn)知逐漸錯(cuò)亂、軀體不斷惡化、理性逐步崩壞,禁忌的駭人真相,將不可逆地摧毀一切……光源不再象征安全,請遠(yuǎn)離所有發(fā)光體!

光環(huán):夜幕

麥克·柯爾特,克里斯蒂娜·鐘

  美劇《光暈:夜幕降臨》劇情是緊接《Halo4》和《Halo5》,其中游戲人物Jameson Locke(Mike Colter飾演)將繼續(xù)扮演核心角色,他即是一個(gè)“傳奇的賞金獵人”,同時(shí)也是美國海軍情報(bào)局的特工?! ≡陬A(yù)告片中,Jameson Locke和他的團(tuán)隊(duì)陷入到一場有預(yù)謀的生物攻擊之中,在那里他們很快發(fā)現(xiàn)了這個(gè)陰謀,他們隨后被帶到了一艘遠(yuǎn)古的飛行器里。在那里他們被迫“為生存而戰(zhàn),并對一切事物保持猜疑”,最終在忠誠和生存之間做出抉擇?! ∽詈笪④浺脖硎荆@部美劇《光環(huán):夜幕降臨》將與《光暈》士官長典藏版同期上映,預(yù)計(jì)從11月11日開播。