因為靠近太陽

? 2.2 播放：67萬 2026-04-23

三十歲的Juliette來到海邊餐廳找情夫，正與妻子共進午餐的情夫匆忙出餐廳給她電話。Juliette大聲回答，似乎有意說給一旁妻子聽。再見Juliette是在預(yù)審官辦公室，指控她涉嫌其情夫自殺。爭吵過程中，Juliette說她14歲時生過一個男孩。敏感的預(yù)審官Sophie偷偷給她領(lǐng)養(yǎng)的兒子做DNA，發(fā)現(xiàn)Juliette是他生母。Sophie對Juliette的案子失去公正判斷，導(dǎo)致Juliettte坐牢。其丈夫Olivier不贊成妻子隱瞞Juliette和養(yǎng)子關(guān)系的真相，在Juliette出獄后，偷偷救濟她。Juliette以為Olivier有目的，便主動獻身勾引?？蒓livier還是沒有告知真相。后來Juliette發(fā)現(xiàn)Olivier是Sophie的丈夫，于是在他們?nèi)易屋喍燃伲驳巧狭四撬掖?。在不明真相的情況下，和自己兒子上床?？吹铰泱wJuliette出現(xiàn)在兒子房間的甲板上，Olivier失蹤了。而Sophie在泳池邊看到倆人，最終告訴Juliette真相。她在下一站下船離開了。岸邊，警方打撈上一句尸體。

在線觀看

? 播放 因為靠近太陽

劇情提要

三十歲的Juliette來到海邊餐廳找情夫，正與妻子共進午餐的情夫匆忙出餐廳給她電話。Juliette大聲回答，似乎有意說給一旁妻子聽。再見Juliette是在預(yù)審官辦公室，指控她涉嫌其情夫自殺。爭吵過程中，Juliette說她14歲時生過一個男孩。敏感的預(yù)審官Sophie偷偷給她領(lǐng)養(yǎng)的兒子做DNA，發(fā)現(xiàn)Juliette是他生母。Sophie對Juliette的案子失去公正判斷，導(dǎo)致Juliettte坐牢。其丈夫Olivier不贊成妻子隱瞞Juliette和養(yǎng)子關(guān)系的真相，在Juliette出獄后，偷偷救濟她。Juliette以為Olivier有目的，便主動獻身勾引。可Olivier還是沒有告知真相。后來Juliette發(fā)現(xiàn)Olivier是Sophie的丈夫，于是在他們?nèi)易屋喍燃伲驳巧狭四撬掖?。在不明真相的情況下，和自己兒子上床?？吹铰泱wJuliette出現(xiàn)在兒子房間的甲板上，Olivier失蹤了。而Sophie在泳池邊看到倆人，最終告訴Juliette真相。她在下一站下船離開了。岸邊，警方打撈上一句尸體。

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

假日旅館

 影片由一系列音樂片斷構(gòu)成，由擅長歌舞巨片的馬克·桑德里區(qū)執(zhí)導(dǎo)。其中每一首插曲都以美國的節(jié)假日為線索，又都巧妙地集中到一對情敵的身上。本片獲1943年第15屆奧斯卡最佳編劇和最佳音樂獎提名！一家開設(shè)在公路邊的旅館，兩個年輕的合伙人哈迪和海諾沃同時愛上了一位姑娘。海諾沃（由著名舞蹈家弗雷德·阿斯泰爾飾）盡管在愛情的追逐中連連占先，但最終還是敗給了哈迪（由著名歌星賓·克羅斯比飾）。哈迪是位酷愛音樂的懶散的人，他退休回到新英格蘭農(nóng)村，每逢節(jié)假日，他的農(nóng)場就成了娛樂總會……