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花月佳期電影版
吳奇隆,楊采妮,葛民輝,張庭,何家駒,劉洵,黎彼得,黃一飛江繼威（吳奇隆飾）和洪欣欣（楊采妮飾）同在七夕節(jié)去月老廟求姻緣，江繼威對外表清純的張小盈（張庭飾）一見鐘情，卻因失神撞了想要偷拿紅繩的欣欣，惱火的欣欣旋即對其展開“報復(fù)”行為，兩人變成見面就吵的冤家?！ 尚瞧诤螅佬涝趹蚺_上吊嗓時，卻看見了江繼威的鬼魂，原來江繼威上了張小盈的當(dāng)，被卷入搶劫案中繼而被滅口。不甘心的江繼威借助電線回到陽間，且歪打正著跑到欣欣所在的劇院。他希望欣欣可以幫他回到過去，挽回自己被殺的命運。欣欣最終經(jīng)不住江繼威的懇求，和他一起回到了兩星期前。
索命暹羅之按摩師
林保怡,袁百梓卉,高捷,黃愷杰,鈕蔚淇,高翔,葉勇莫蘭（袁百梓卉 飾）擁有著一段悲慘的童年，很小的時候，她就失去了母親，然而莫蘭始終都不知道母親究竟為什么會死，這場悲劇成為了莫蘭內(nèi)心里最大的謎團和黑洞。時間一年一年的就這樣過去，一轉(zhuǎn)眼莫蘭便已經(jīng)長成了亭亭玉立的少女，只是，她從未放棄過想要調(diào)查當(dāng)年事件真相的額念頭?！ ∫直ｂ?飾）是莫蘭的師叔，在泰國經(jīng)營著一家按摩院。莫蘭千里迢迢遠(yuǎn)赴泰國尋找尹正，想要借助他的力量開始調(diào)查。哪知道來到泰國后，莫蘭的身邊開始接二連三的發(fā)生科學(xué)無法解釋的詭異事件，甚至還發(fā)生了命案，而這一切都和母親當(dāng)年的死因有著千絲萬縷的關(guān)聯(lián)。
燃燒的夜晚
布萊恩娜·伊維根,查理·塔漢,加瑞特·迪拉胡特獅門出品 必屬精品 暴風(fēng)雨來襲 一女孩和她有孤獨癥的弟弟被困在一個有老虎的房子里
血戰(zhàn)沙漠
邁克爾·C·威廉姆斯,喬·胡爾特拉斯,杰夫·普雷韋特,瓦內(nèi)莎·約翰遜,Chems-Eddine Zinoune,P. David Miller,Jonas Ball,Matthew R. Anderson,Sam Hunter,Kenny Taylor,Qzaibar Allal,Hammou Abaou,Rkia Chkaroll,Ibtihal Iataren,El Hayrani Lekbir2001年11月，阿富汗加茲尼省。一支來自美國的特種部隊小分隊與CIA探員本杰明·凱恩斯（喬納斯·鮑爾 Jonas Ball 飾）在此碰頭，他們要在當(dāng)?shù)貙ふ乙粋€名叫莫罕默德?阿班的男人。在線人阿布爾（Chems-Eddine Zinoune 飾）的引導(dǎo)下，他們來到據(jù)說莫罕默德藏身的山區(qū)。這里流傳著恐怖的傳說，在半個多世紀(jì)前英國就曾有一支上萬人的部隊在此地憑空消失。從特種隊員踏入這片陌生領(lǐng)域的那一刻起，恐怖離奇的事件便如影隨形。隊員們接連失蹤，他們仿佛走入一條通往黑暗世界的不歸之路…… 本片榮獲2008年紐約恐怖電影節(jié)觀眾獎最佳攝影獎、2008年墨西哥圣塔菲電影節(jié)Milagro獎最佳攝影獎。
黑暗之下
丹尼斯·奎德,托尼·奧勒,艾米·緹加登,斯蒂芬·朗斯福德After watching their best friend get murdered, a group of teens struggle to expose a local hero as the vicious killer and keep from becoming his next victims.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster