有愛才有性
美女老師邀請家長討論性教育,才發(fā)現(xiàn)大人們的性行為才該好好檢討,先有愛還是先要有性呢?美女教師變成情婦,肉攤店夫妻性生活狀況百出,大黃瓜、小絲瓜,或許能靠潤滑劑解決性福?當(dāng)身材超辣的妙女郎搬來同一屋檐下,停機(jī)一年的肉攤店老板真的快凍未條了!花心美男子深愛著妻子,但卻風(fēng)流成性,尬上空姐又愛上E奶女秘書,當(dāng)懷孕的妻子發(fā)威時,他還敢放膽去玩?長夜漫漫,香汗淋漓,欲罷不能,會有怎樣令人意想不到的結(jié)局呢?捧腹大笑之余也同時感受男女間,彼此的深刻情感和旺盛生命力。
影片推薦
手遮天
劉峰超,袁福福,淳于珊珊怪談晚餐
樸昭怡,劉多仁,尹賢旻,張光,李周英,金周靈,高恩敏,李素英,吳承姬,張睿恩,張丞延,金太竣,潘素英,申銀秀,金浩貞,金東英,申文成,金太勛,趙在允,崔秀林,樸真雅96分鐘:列車爆炸案
林柏宏,宋蕓樺,王柏杰,李李仁,姚以緹,蔡凡熙,李銘忠,黃奇斌,呂雪鳳,鄭志偉,陳雪甄,巫建和,孔令元,林昀希,鄒承恩暗魔怨
彼得·費辛利,索菲婭·邁爾斯,娜塔莉亞·羅蒙絲,卡羅利娜·格拉,胡安·巴勃羅·甘博亞小鬼神偷
克里斯汀·斯圖爾特,科賓·布魯,麥克斯·泰瑞奧,詹妮弗·比爾斯,山姆·洛巴茲祝你好運2024
亞歷山德拉·達(dá)達(dá)里奧,柯瑞·福格爾瑪尼斯,邁爾斯·古鐵雷斯-賴?yán)?科爾·斯普羅斯,莉娜·鄧納姆,艾米·蘭德克,萊克西·安德伍德,麗莎·山田,賈德森·米爾斯,布萊恩·邁克爾·史密斯同類精選
灣岸 midnight the movie
中村優(yōu)一,小林涼子狙擊精英∶孤魂野鬼
查德·科林斯,湯姆·貝倫杰,瑞安·羅賓斯,喬什·布雷納,Tuks Tad Lungu,多米尼克·馬厄,Manuel Rodriguez-Saenz,米歇爾·伊薩·盧比歐掠殺者
利亞姆·坎寧安,寶拉雅娜·麥金托什,漢娜·斯坦布里奇,布萊恩·拉金,尼爾·格雷格·富爾頓,道格拉斯·羅素,喬納森·沃森,布萊恩·威納爾長春花園
趙胤熙,金周靈,許棟元,鄭仁謙浪浪人生
黃渤,范丞丞,殷桃,常遠(yuǎn),李嘉琦,劉雪華,付航,孫藝洲,張本煜,易小星,小愛,鄧恩熙,李治良,劉西蒙,郝瀚,杜夢涵,莊園運鈔大劫案
吳樾,包貝爾,伍允龍,元彪,安志杰影視排行
偽裝大師1:維多女人
陳啟杰,高雨兒,張煒迅,夏星,張惠程,楊靜,閆銳關(guān)鍵一晚終于來臨,黃渤扮演的黃總,邀請收藏愛好者來自己家參觀,藺先生如今也是其中一員,帶著王森來了。藺先生發(fā)現(xiàn)黃渤家里有三幅《維多女人》仿品,都是有一定年頭的值錢貨,但藺先生從特定角度,發(fā)現(xiàn)了其中一幅畫的標(biāo)記,這是王森之前交他辨別真假的方法,王森也證明的確是真品。藺先生發(fā)現(xiàn)這是真品后非常激動,要趁別人都沒發(fā)現(xiàn)之前買下這幅畫。黃渤看藺先生這么感興趣,開玩笑般開出天價,藺先生立刻答應(yīng),并且要求當(dāng)場成交?! 〕晒α?!派對上,黃渤把錢撒向空中,大家激動分錢,王森卻不在?! ⊥跎蝗唤拥诫娫?,得知夏天竟然被陶碩綁架,陶碩威脅王森交回畫,否則殺了夏天。王森一生中從未如此緊張失措過,他和黃渤立刻回去找藺先生,沒想到藺先生像是變了一個人,精明地可怕,要王森拿出三倍的價買回《維多女人》,黃渤提醒王森夏天還有一個小時就要被殺,王森下定決心,用自己收藏的一屋子藝術(shù)品來換這幅畫?! r間緊迫,王森讓黃渤去家中拿藝術(shù)品,而自己先拿畫去救夏天。王森回到綁架現(xiàn)場卻一無所有,黃渤也聯(lián)系不上了,只有他手上那幅畫,這時他才發(fā)現(xiàn),手上那幅畫,上面有自己的簽名,這是最初自己偽造的那副假畫。 王森瘋了一般,他回到家,空空蕩蕩,所有值錢的東西都被卷走 ……
月球漫步2024
柳承穆,黃智雅,金敏京,宋東煥對于16歲的女孩Jung-hee來說,一年中最困難的一天是她祖母的陣亡將士紀(jì)念日。鄭熙通常很難和酗酒的母親相處,但在這一天,她大喊大叫的祖父的妹妹來了。她每年都會責(zé)罵正熙的母親和叔叔,問她為什么為自殺的祖母做追悼會,而不考慮找到離家出走的祖父。自從他的祖父在正熙出生的那天失蹤后,正熙不知怎么地覺得這是她的錯。所以Jung-hee決定去冒險,在那里她可以解開所有的秘密,結(jié)束她母親的青春期。
偷心響叮當(dāng)
奧利維亞·霍爾特,康納·斯溫德爾,彼得·塞拉菲諾威茨,露茜·彭奇,帕皮·德雷頓,艾德·基爾,詹姆斯·德萊頓,卡倫姆·西維耶,Diane Spencer,Alara-Star Khan,蓋·羅賓斯,Elizabeth Bower,皮埃爾·伯格曼,Aylin Scott,斯圖爾特·惠蘭,Michael Salami,安娜貝爾·庫塔伊,泰勒·沙利文,Belal Sabir,Brooke Henzell影片講述了索菲亞(霍爾特飾)和尼克(斯溫德爾斯飾)的故事,兩個小偷發(fā)現(xiàn)他們正在追逐同一個目標(biāo)——在圣誕夜搶劫倫敦最臭名昭著的百貨公司之一。現(xiàn)在,他們不得不勉強(qiáng)聯(lián)手,但隨著彼此感情的加深,他們保守的秘密最終可能會危及他們的關(guān)系和這起搶劫案。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.