美味的陷阱
結(jié)婚數(shù)年后,面對夫妻的性愛生活,丈夫他已覺得沒新鮮快感,乏味無趣,夜晚她在床上,脫衣解褲,撩首弄姿,上下挑逗,仍不能燃激丈夫性慾,丈夫總似死魚無動于衷,妻子抱怨自己,猶如「干了一具死尸」。暫無內(nèi)容倒對婚外女人姦慾,是顯得那么刺激與喜好,很快就能勃起性漲。當(dāng)他發(fā)現(xiàn)鄰居美少婦妍熙遭遇的窘境,便伸手援助她,她是以前AV女優(yōu)演員,主演色情電影《慾望的沼澤》。妍熙和某商人男子經(jīng)常劇烈作愛,被他在窗外偶然見著,是令人看了激動振奮而熱血沸騰。他也將這種見色慾的性沖動,返家轉(zhuǎn)移到老婆肉體的強(qiáng)烈需求。妍熙與他,由于他替妍熙維修一些小東西而變得關(guān)系更加親密。暫無內(nèi)容老婆紅杏出墻有外遇,和自己好友亂搞,他們在客廳赤裸裸的大膽作愛,放蕩快活,將隱藏多時(shí)的慾望,頓時(shí)爆發(fā)狂洩出來。他也和妍熙發(fā)生多次性關(guān)系。一切婚外姦情都很美好、自然且歡淫...。然而他們卻不知,快感淫樂背后的可怕陰謀,是一個(gè)將他帶向黑暗的借刀殺人陷阱......
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丹德里·泰勒,Laura Flannery,杰德·拉姆西,亞當(dāng)·拉扎爾-懷特,尼基塔·拉姆齊,Jennifer DorogiSeveral years after a deadly struggle with her serial killer aunt, Jordan works to escape her troubled history. But when her aunt's revenge-seeking specter surfaces to join forces with a deranged convict, Jordan must return to the haunted town of Silver Falls for a final showdown with the ghosts of her past.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.