腥紅假期

老板和小可愛

防空洞

一對朋友，一個(gè)德國人和一個(gè)俄國人，穿越時(shí)空最終來到了1941年。兩位朋友被迫做出決定，并要應(yīng)對他們無法想象的困難。他們的友誼能否度過難關(guān)，保羅和謝爾蓋又會(huì)站在哪一邊？

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

日出1927

 盛夏的度假時(shí)節(jié)，一位城市女人來到鄉(xiāng)下滯留，這期間，城市女人誘惑了當(dāng)?shù)氐霓r(nóng)夫并教唆他殺死自己的妻子（Janet Gaynor 飾）以便販賣掉農(nóng)莊后私奔。被迷惑了心竅的男人早已忘記了那些同妻子共處的純美時(shí)光，他將妻子帶到河面蓄謀加害，卻在要下毒手時(shí)幡然悔悟，傷心的妻子踏上了進(jìn)城的列車，男人窮追不舍一同抵達(dá)城市。城市里真正是一片花花世界呵，這對夫妻在街上游走玩樂，在那些小小的玩笑中，甜蜜的冒險(xiǎn)中，他們又找回了愛情的美妙共鳴……和好如初的兩人返回鄉(xiāng)村，不料卻在歸途遇上了肆虐的風(fēng)浪……本片是德國導(dǎo)演茂瑙赴美發(fā)展后拍攝的第一部作品，曾被多家權(quán)威媒體評選為默片最佳杰作之一，獲第一屆奧斯卡最佳女演員、攝影等多項(xiàng)褒獎(jiǎng)。

暗泳

　　“不準(zhǔn)奔跑、不準(zhǔn)跳水，天黑以后沒有救生員值勤，不準(zhǔn)游泳?！薄　∮捌鶕?jù)2014年拍攝的同名短片改編，內(nèi)心深處希望能夠戰(zhàn)勝病魔，再度回歸美國職棒大聯(lián)盟打球的雷（懷亞特·拉塞爾 Wyatt Russell 飾）和他的太太伊芙（凱瑞·康頓 Kerry Condon 飾）搬進(jìn)新家，后院的游泳池不僅讓孩子們玩得開心，也能夠讓他進(jìn)行物理治療，然而這棟房子陰暗神秘的過去即將釋放一股邪惡力量，把這一家人拉進(jìn)無法逃脫的恐怖深淵。