女人的傾倒

★ 9.0 播放：20萬 更新：2026-04-22

別名: Les polissonnes excitees 講述一個年輕女人的故事，她與好多男人之間的趣事，好多男人都為之傾倒！ 　　

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別名: Les polissonnes excitees 講述一個年輕女人的故事，她與好多男人之間的趣事，好多男人都為之傾倒！ 　　

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

不死之人

　　邦納博士計劃通過更年輕、更健康的人類受害者周期性的腺移植來永生。邦納看起來大約40歲，他真的104歲了。但是人們開始懷疑了，他可能不會到200歲。

雛菊1966

 影片開始于兩個都叫瑪麗的少女（Jitka Cerhová 和 Ivana Karbanová 飾）的對話：沒有人理解我們，這個世界上的一切正在變得越來越糟糕。于是兩人決定：我們也要變得越來越壞！瑪麗一號喜歡和老男人約會，在他們吃飯的時候，瑪麗二號會突然出現(xiàn)，旁若無人地大吃特吃。瑪麗一號把老男人送上火車，老男人以為她會陪著他，火車開動，她卻下了火車?，旣惗栐谝粋€收藏蝴蝶標本的男青年家中，用他的標本遮住自己身體的隱秘部位。她們在夜總會里搗亂，最后被趕走。她們無意中闖入一個沒有人的宴會，開始肆無忌憚地享受美食.....本片獻給精神生活一團糟的人們。