我的寶藏
別名:情色寶藏、我的寶貝、妓??嚯r、后街天使、噢;我的寶貝;金子是個十來歲的女孩,大部分時間她都在照料母親露絲。露絲曾是個隱君子,盡管現(xiàn)在戒掉了,但是幾乎沒有能力照顧自己,更不用說養(yǎng)家糊口。于是這個家庭重擔落在了;金子;身上。但是,另一方面;金子也要兼顧自己的學業(yè),否則她的前途將失去方向。她將如何在兩者間作出選擇呢?分享十八歲的阿娥(Or)為母親能離開皮肉生涯而拼命工作,維持生計,過著窮困的生活;母親對流鶯的生活仍未能淡忘,在女兒半求半逼之下回到正常人的軌道上當家傭,可是不羈的母親每逢入夜便偷偷上街出賣年老色衰的軀體,令女兒傷心欲絕;面對生活壓力和情欲的折磨,女兒最后步母親的后塵,墮入妓海,取代母親的位置。
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Sarun Cinsuvapala,Nutjaree Horvejkul,Somyos Matures,Supavitch Nepremwattana,Pramote Pathan,Suphachai Subprasert愿大家擁有幸福
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鄧超,董子健,雷佳音,王圣迪,丁程鑫,王彥霖,鄧飛,張震,辛芷蕾,郭京飛,常遠無法饒恕的愛
薩拉·克利夫蘭,Matt Wells街尾之宅
詹妮弗·勞倫斯,伊麗莎白·蘇,麥克斯·泰瑞奧,吉爾·貝羅斯,Eva Link,諾蘭·杰拉德·馮克,艾莉·麥克唐納尼諾
西奧多·佩爾蘭,威廉·勒布吉歐,莎樂美·德瓦斯,讓娜·巴利巴爾,卡米莉·拉瑟福德,埃斯特爾·梅耶爾,維克圖瓦爾·杜布瓦,馬修·阿馬立克,Pascale Oudot,Ma?l Besnard,Elodie Roy,Amaury Arboun,利森·丹尼爾,Charlotte Lainé,Balthazar Billaud,艾爾莎·布尚,Quentin Gouget,Alexandre Desrousseaux,Mounir Belhidaoui,Lola Felouzis同類推薦
狗舍
丹尼·戴爾,諾埃爾·克拉克,埃米爾·馬爾娃,李·恩格里比,Keith-Lee Castle,克里斯蒂娜·科爾,特里·斯通,尼爾·馬斯克爾,埃米莉·布思,斯蒂芬·格拉漢姆,杰西卡-簡·斯塔福德,阿黛爾·秀娃,Zac Mattoon O'Brien,瑪麗·塔姆,比利·穆瑞,艾麗森·卡洛爾,珍娜·古德溫,妮娜·艾爾斯為了幫助好友文斯(斯蒂芬·格拉漢姆 Stephen Graham 飾)度過傷心的離婚,一群好友尼爾(丹尼·戴爾 Danny Dyer 飾)、科勒雷(比利·穆瑞 Billy Murray 飾)、米奇(洛爾·克拉克 Noel Clarke 飾)、馬特(李·恩格里比 Lee Ingleby 飾)等人帶著他前往一偏僻小鎮(zhèn)度假。本以為去的是人間天堂,結(jié)果他們卻發(fā)現(xiàn)這里根本就是地獄,因為這里的女人都染上了怪病,會像僵尸一樣襲擊、吃掉所有男人。盡管這些男人平時都是唯唯諾諾的“妻管嚴”,但是面對女僵尸他們絕不手軟,于是一場好好的度假徹底淪為了爺們兒大戰(zhàn)女僵尸的戰(zhàn)爭。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
村“靚”了
陶慧敏,王毅凡,李藝,張明明,葉青青,朱嘉鎮(zhèn),陳鏡宇,隋抒洋,張家駿該片講述了新時代,主人公陳建國回到家鄉(xiāng),憑借創(chuàng)新精神和不懈努力,將曾經(jīng)“臟亂差”問題突出的家鄉(xiāng)成功打造為遠近聞名的民宿旅游村,不僅帶動了鄉(xiāng)村經(jīng)濟的蓬勃發(fā)展,顯著改善了村民的生活環(huán)境,更是引領村民踏上了共同富裕的小康道路,深刻展現(xiàn)了鄉(xiāng)村振興、創(chuàng)新合作、青年擔當以及鄉(xiāng)村發(fā)展的巨大潛力。
生還2025
邵正一,周思羽,周云鵬,彭禺厶,徐勵,邱健,侯佳音,徐雅惠,劉頔,李昕廷 ,王天心 ,李夢瑤,梁頌晴,段秋鈺,景天曈,寇文琦,劉政杰,朱宏嘉,曹衛(wèi)宇,馬國偉,楊奇鳴,逯長恩,苗博,鄭好,張宏威,葉福生,何熙維,王俏,翟赫本片以紀實風格再現(xiàn)了1938年到1945年抗日聯(lián)軍第六軍被服廠女兵,傷兵醫(yī)院傷兵組成的留守團在主力部隊西征后堅持在老游擊區(qū)牽制敵人主力,于重重圍剿中突圍,進入蘇聯(lián)整訓,整編為抗聯(lián)第88教導旅打回東北的真實故事?! ∮捌高^12歲女戰(zhàn)士李童的視角,塑造了耿團長、裴大姐、白連長、金玉希、李亦奇等一批普通抗聯(lián)男女戰(zhàn)士在突圍中拼死互相保護,犧牲、被俘、最終生還的殘酷歷程?! ”酒木幾宰詈笠粋€離世的抗聯(lián)女戰(zhàn)士李敏撰寫的回憶錄。 這是第一次用電影方式講述了抗聯(lián)后期從突圍到整編為教導旅再到打回東北的全過程。
觸電2025
林敏驄,陳穎欣,柯煒林,伍詠薇,蘇皓兒,羅莽,馮素波,盧慧敏,陳毅燊,陳苡臻,吳肇軒,羅浩銘人到中年的車仔擁有一間網(wǎng)吧,但在手機游戲的沖擊下,早已人氣不再;三十未到的電競選手邦少正在面對實力下滑的職業(yè)困境;單親家庭長大的霏霏大學畢業(yè)超過五年,還未有過一份穩(wěn)定工作。曾是動作巨星的八爺因為妻子阿蘭出現(xiàn)腦退化,年過70的二人嘗試利用電子游戲來鍛煉大腦。一張全港電競賽的征集海報,讓想要拯救網(wǎng)吧的車仔決定組隊。車仔、霏霏、八爺,三個新手再加上一個急于證明自己的邦少,Happy Hour電競隊正式成立。親情、友情的羈絆化作電競賽場的搏殺,一場不可能完成的戰(zhàn)斗,讓心懷夢想的他們不再抱憾。