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失蹤兒童錄像帶
杉田雷麟,平井亞門,森田想,藤井隆最佳拍檔4：千里救差婆
許冠杰,麥嘉,張艾嘉,葉倩文,王嘉明,石堅,關(guān)德興,曹達(dá)華,喬宏北部叢林
尼克·斯塔爾,奧利維亞·王爾德,達(dá)什·米霍克樂開懷
米歇爾·菲佛,菲麗希緹·瓊斯,科洛·葛蕾絲·莫瑞茲,伊娃·朗格利亞,詹森·舒瓦茲曼,丹妮爾·布魯克斯,茉德·阿帕圖,丹尼斯·利瑞,多米尼克·塞薩,陳沖,哈瓦娜·羅絲·劉,黛芙芮·雅各,海蒂·納賽爾,塞爾吉奧·杜克,伊?！た扑顾崂?賽迪·司各特,Rashal James,杰西賈姆斯·洛科里埃,羅克茜·里韋拉,Audrey Hui緊箍咒之不法山
陳龍,南笙,言杰,南伏龍,宮海濱,余薇薇,周文韜,周仲,楊博瀟,趙文明,于昀汐唱歌的六個女人
竹野內(nèi)豐,山田孝之,水川麻美,アオイヤマダ,服部樹咲,萩原實里,桃果,武田玲奈,津田寬治,白川和子,竹中直人影視排行
木匠之子
尼古拉斯·凱奇,諾亞·尤佩,小枝女孩,伊斯拉·約翰斯頓,索海拉·雅各布,Penelope Markopoulou,Orestis Paliadelis,埃莉娜·托帕麗朵,馬諾利斯·馬諾里斯,Thekla Gaiti,Kaiti Manolidaki,Dimitris Louskos,Stavros Kottas,Zisis Papaioannou,Michalis Ioannou,Viktor Hristov,Odisseas Zikas,Gary Salomon,Lee Papadakis,Harila羅馬帝國統(tǒng)治下的埃及，一個家庭為躲避追殺而隱秘生活。家中年輕的兒子（被稱為“男孩”）開始對自己的監(jiān)護(hù)人（被稱為“木匠”）的身份和教誨產(chǎn)生深深的懷疑?！ ∧泻Ⅲw內(nèi)沉睡著某種神秘而強(qiáng)大的超自然力量。隨著他的成長與反叛，這股力量開始覺醒并失控。每當(dāng)他動用一次能力，就會打破現(xiàn)實的脆弱平衡，招致更可怕的反噬——他們不僅要面對羅馬士兵的世俗威脅，更要遭遇因褻瀆神明而引發(fā)的、超越自然規(guī)律的恐怖現(xiàn)象：尼羅河水逆流、沙暴中浮現(xiàn)古老邪靈、瘟疫以超自然的方式蔓延…… 這個家庭被迫在雙重恐懼的夾縫中求生：一邊是外部世界的追捕，另一邊是來自男孩自身力量的、逐漸失控的神性（或魔性）災(zāi)難。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
菜肉餛飩
周野芒,潘虹,茅善玉,陳國慶,王琳,徐祥,高博文,王菊,陳龍,馮瑪婭,倪夏蓮,安棟,王佳彥,曹可凡,袁鳴,章齡之,戰(zhàn)士強(qiáng),張芝華,張建亞,顧曉東,卞根琴,孔祥東,賈梓樂,錢小昆,陳瀚波,黃英上海的退休工程師老汪與兒子有一個約定，每周六小汪會回父母家一次，順便吃碗老汪拿手的菜肉餛飩。為了讓兒子早點(diǎn)結(jié)婚生子，老汪在愛人素娟的啟發(fā)下，決定自己去公園相親角為兒子物色一名婚戀對象。在相親角，老汪結(jié)識了老金、美琴、阿芳等人，自己也無意中卷入了一場始料未及的情感漩渦之中。
鳴槍警告
David Spade,詹姆斯·厄爾·瓊斯,弗蘭克·威利一位單身母親和她的小女兒努力維持生計，直到他們從祖父那里繼承了農(nóng)舍。 當(dāng)一個家族企業(yè)的競爭對手派武裝人員用武力將水權(quán)帶到農(nóng)場的小溪時，情況開始失控。