露點(diǎn)的誘惑
奧利維耶Olivier（亞歷山大 middot;布拉瑟爾飾）和索菲Sophie（巴巴拉舒爾茨飾）夫婦在巴黎開著一家生意還不錯(cuò)的面包坊。索菲感到，奧利維耶起早貪黑的工作，不但沒有時(shí)間顧及他們的兩個(gè)孩子洛爾Laure（佐薇 middot;朗德龍飾）和諾諾Nono（費(fèi)利克斯 朗德龍飾），甚至不能擠出時(shí)間來注意她，夫婦倆已長時(shí)間沒有了愛愛。有一天，奧利維耶不顧索菲的反對，買下1座海島上的1套價(jià)格很便宜的度假屋，盡管房子的擁有者保羅Paul（雅基 ;貝魯瓦耶飾）和科萊特Colette（索尼婭 ;沃勒羅飾）看上去有點(diǎn)古怪。暑期，索菲帶上孩子們登島，準(zhǔn)備度過一個(gè)新鮮和安靜的家庭假期。但是，他們卻發(fā)現(xiàn)自己身處一個(gè)完全不同的世界，這里的一切都與巴黎不同，是個(gè)天體營！他們必須從常見的現(xiàn)實(shí)轉(zhuǎn)變過來？他們與此格格不入的生活習(xí)慣，和天體主義者的偏見之間的矛盾由此而生。當(dāng)然，索菲在鄰居朱麗葉Juliette（瑪加莉 米格扎爾飾）和吉爾貝Gilbert（西蒙巴庫什飾）的感召下，最后認(rèn)識到她自己生理和心理上的真正需求是什么。
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吞天巨鯊
陳外,程爽,成止微,秦宇太平洋某座生物研究所內(nèi)，最新研究的魚類加速繁殖計(jì)劃得到了突破，并在繁殖力極低的鯊魚身上試驗(yàn)成功。實(shí)驗(yàn)室的科學(xué)家們大喜過望，稱這項(xiàng)研究將徹底解決全球食物問題。只有總負(fù)責(zé)人博士袁聰認(rèn)為此舉會(huì)破壞現(xiàn)有的生態(tài)環(huán)境，力排眾議下令銷毀實(shí)驗(yàn)鯊魚。然而實(shí)驗(yàn)組的副手莫雷將這些鯊魚看成畢生心血，偷走幾條幼鯊準(zhǔn)備轉(zhuǎn)移，誰知在路上被咬傷出了事故，幼鯊逃進(jìn)下水道進(jìn)入了大海。沒過多久，若干處海邊出現(xiàn)鯊魚群體襲擊事件，原來這些鯊魚的背后有一只超級巨大的母鯊......
阿姆斯特丹
克里斯蒂安·貝爾,瑪格特·羅比,約翰·大衛(wèi)·華盛頓,亞歷桑德羅·尼沃拉,安德麗婭·賴斯伯勒,安雅·泰勒-喬伊,克里斯·洛克,馬提亞斯·修奈爾,邁克爾·珊農(nóng),麥克·梅爾斯,泰勒·斯威夫特,蒂莫西·奧利芬特,佐伊·索爾達(dá)娜,拉米·馬雷克,羅伯特·德尼羅,梅爾·法爾,邦尼·赫爾曼,馬克斯·佩利希,小艾德·博格里,考林·加普,勞倫·肖,布蘭登·戴維斯,凱西·比格斯,戴·揚(yáng),肖恩·艾弗里,潔基伯明翰,瑞貝卡·薇索基,史蒂文·哈克,貝絲·格蘭特,湯姆·埃爾文,利蘭·奧瑟,馬丁·威廉·哈里斯,文森特·M·比肖內(nèi),詹姆斯三位好友，一樁謎案，驚天陰謀，即將揭曉...... 全明星陣容共同演繹，奧斯卡提名導(dǎo)演大衛(wèi)·O·拉塞爾執(zhí)導(dǎo)，克里斯蒂安·貝爾、瑪格特·羅比、約翰·大衛(wèi)·華盛頓主演，泰勒·斯威夫特驚喜亮相！當(dāng)目擊者變成嫌疑人，身處風(fēng)暴中心的他們，該如何守護(hù)彼此，發(fā)現(xiàn)真相？
勇敢的馬隊(duì)：伊沃克人歷險(xiǎn)記
Eric Walker,沃維克·戴維斯,菲奧紐拉·弗拉納根,蓋伊·博伊德,奧布麗·米勒,伯爾·艾弗斯,Daniel Frishman,黛比·李·卡林頓,托尼·考克斯,凱文·湯普森,Margarita Farrell,Pam Grizz,Bobby Bell,Darryl Henriques,Sydney Walker,Jon Berg,蒂芙妮·布里塞特Towani一家乘坐的星際巡洋艦在恩多衛(wèi)星上墜毀了。Towani家的爸爸和媽媽和他們的兩個(gè)孩子Mace與Cindel失散了。伊渥克族人——恩多衛(wèi)星上的土著——找到了這兩個(gè)孩子。盡管孩子們與伊渥克族的交流起初非常困難，Mace和Cindel最終還是說服了伊渥克族人幫助找尋他們的父母。
拼圖殺機(jī)
池承炫,李世美,姜其永,楊明憲,英健,方秀衡,姜多賢,宋東煥,元賢俊,???,趙潤鎬擁有一切的男子都俊，妻子和小孩都在國外生活，也因此他的疑心病變得更重了。某日他一個(gè)人喝完酒徘徊時(shí)，遇到了一位謎樣的女子世蓮，陷入她的魅力之中的都俊也因此卷入了某起事件……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
偽術(shù)奇才
彼得洛·卡斯特里圖,朱莉婭·米切利尼,安德烈·阿坎杰利,Pierluigi Gigante,愛德華多·佩謝,克勞迪奧·桑塔瑪利亞,奧羅拉·喬維納佐,法比齊奧·費(fèi)拉卡尼,Mauro Aversano,弗朗切斯科·拉·曼蒂亞,Michael Schermi,Carlo TozziA noir portrait of Italy in the Seventies.