神秘舞妓
父母，子女，兄弟。在智利圣地亞哥幾天，看到三個(gè)不同的字符：維克托，一個(gè)男生誰開發(fā)暗戀他看到在他生日的俱樂部托衣舞;西爾維奧，維克多的哥哥，俱樂部老板聘請來是他的司機(jī)和也落在誰的女人，Gracia大道，汽提塔，誰是老板的女朋友，誰愿意出來。俱樂部老板，唐 帕斯夸爾，有很多非法企業(yè)和心臟不好。維克多的沖動(dòng)早戀，Silvio的欲望，Gr agrave;cia的計(jì)劃，唐帕斯夸爾的占有欲，使一個(gè)危險(xiǎn)的組合
即刻觀影
劇情賞析
編輯推薦
我爸救了圣誕節(jié)2
圣地亞哥·塞古拉,埃內(nèi)斯托·塞維利亞,Pablo Chiapella一家玩具公司的狡猾主管綁架了圣誕老人，這對父子必須挺身而出，營救圣誕老人，拯救圣誕節(jié)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
閣樓房客是總裁
張層層,莫小錯(cuò),詹子潼,董天昊講述了地產(chǎn)集團(tuán)二公子宋以昭為了爭奪繼承權(quán)，隱瞞身份，住進(jìn)了夏天旅館的閣樓，成為夏南笙的房客，意在拿下旅館的拆遷同意書。隨著宋以昭的入住，旅館經(jīng)歷了種種麻煩，高傲自大的宋以昭與大大咧咧的夏南笙之間，發(fā)生了一系列啼笑皆非的事情。當(dāng)宋以昭發(fā)現(xiàn)自己愛上夏南笙的時(shí)候，拆遷同意書已經(jīng)被哥哥宋修獲取，拆遷的挖掘機(jī)也已經(jīng)開到了旅館的門口，知道真相的夏南笙決定與宋以昭決裂....
野狼防衛(wèi)戰(zhàn)
維林斯·豪塞爾,博·霍普金斯,喬治·肯尼迪,金伯莉·貝克,布里翁·詹姆斯科學(xué)家們在一個(gè)小鎮(zhèn)的供水系統(tǒng)中下毒，把居民變成殺人狂魔，他們互相殘殺，任何人都能通過。
皮附
Tristan Beint,Amelia Bennett,Simon RiversSix people bound together by a traumatic experience decide to round off a year of group therapy in style. They join each other once more, traveling up to the Scottish Lowlands for a reunion weekend in a 1970s holiday let. Soon a number of mysterious and horrifying events start to expose the cracks in their relationships, and one by one they discover that trust runs but skin-deep. A night of closure turns out to be far more final than they could have anticipated.
虎紋少女
扎芙林·宰麗扎爾,迪娜·埃茲拉爾,碧卡,莎黑茲·薩姆,郡·洛瓊,海魯納茲萬·羅德茲伊,Fatimah Abu Bakar故事一開始，我們見到了12歲的扎凡（扎芙林·宰麗扎爾 Zafreen Zairizal 飾），一個(gè)叛逆而無憂無慮的女孩。然而，她的身體開始發(fā)生可怕的變化，而她卻試圖否認(rèn)和掩飾這些變化，希望在學(xué)校里保持正常的生活。隨著朋友們對扎凡的排擠和攻擊，情節(jié)逐漸升級，達(dá)到了一個(gè)臨界點(diǎn)，整個(gè)學(xué)校陷入恐慌?！ W(xué)校里關(guān)于廁所里藏著一個(gè)暗影的傳說加劇了恐懼氛圍，而一位自告奮勇的醫(yī)療官?zèng)Q定趕走困擾眾人的惡魔。醫(yī)療官很快發(fā)現(xiàn)扎凡可能是問題的根源，打算為她進(jìn)行驅(qū)魔。扎凡的內(nèi)心狀態(tài)宛如一只被拖出棲息地的受驚老虎，她最終決定向眾人展示真實(shí)的本性，包括憤怒、狂暴和美麗。這可能是一個(gè)關(guān)于接受自己真實(shí)面貌的故事，同時(shí)也涉及到對于社會(huì)標(biāo)準(zhǔn)和期望的反抗。