愛(ài)之病性癮者的秘密
Pursuing暫無(wú)內(nèi)容her暫無(wú)內(nèi)容passion暫無(wú)內(nèi)容for暫無(wú)內(nèi)容sex暫無(wú)內(nèi)容and暫無(wú)內(nèi)容romance,暫無(wú)內(nèi)容Sue暫無(wú)內(nèi)容is暫無(wú)內(nèi)容forced暫無(wú)內(nèi)容to暫無(wú)內(nèi)容face暫無(wú)內(nèi)容the暫無(wú)內(nèi)容ugly暫無(wú)內(nèi)容truth暫無(wú)內(nèi)容about暫無(wú)內(nèi)容her暫無(wú)內(nèi)容sexual暫無(wú)內(nèi)容addiction暫無(wú)內(nèi)容when暫無(wú)內(nèi)容her暫無(wú)內(nèi)容marriage暫無(wú)內(nèi)容starts暫無(wú)內(nèi)容to暫無(wú)內(nèi)容fall暫無(wú)內(nèi)容apart.
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籠困
Arié Elmaleh,Zoé Félix,Goran Kostic20年前,社會(huì)主義國(guó)家南斯拉夫解體,奉行主義的更迭并未改變東歐這片多災(zāi)多難土地的命運(yùn)。戰(zhàn)火持續(xù),人民罹難。時(shí)至今日,硝煙仍未從這里散去??ㄌ}爾(祖兒·費(fèi)利克斯 Zoé Félix 飾)、馬提亞(埃瑞克·薩文 Eric Savin 飾)、薩米爾(Arié Elmaleh 飾)是來(lái)自法國(guó)的救援小組成員。在完成任務(wù)后,他們驅(qū)車返回祖國(guó)。然而必經(jīng)之路上有士兵把守,為了不浪費(fèi)時(shí)間,薩米爾建議抄小路前進(jìn)。這一決定將他們引入一條黑暗之途,行至半路,三人被一群全副武裝的不明身份者綁架。在此后的數(shù)日內(nèi),他們?nèi)魂P(guān)在不見(jiàn)天日的籠子里。 對(duì)于對(duì)方的動(dòng)機(jī)卡蘿爾他們?nèi)徊恢?,只有無(wú)盡的恐懼伴隨左右,而死神的腳步也在慢慢逼近……
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Kate Marie Davies,Barrington De La Roche,David Lenik,Rowena Bentley,Toby Wynn-Davies,Peter Cosgrove,Joe Street,Dylan Curtis,Sam Lane,Jackson Wright,Kate Llewellyn,Adam J. Morgan,Tim J. Henley,Harrison Nash,Jack MillerIn the British countryside, the Harver family head out on an idyllic summer camping trip where they can bury past tensions and enjoy some family bonding. But when their camp is sabotaged by an unseen intruder in the night, they head to the nearby creepy old farm desperate for help, where vengeful farmer Hunt Hansen and his hideously deformed son aren't farming animals... Caged and waiting for their limbs to be severed, cooked and eaten one at a time, the Harver family must overcome their differences and unite in order to escape alive!
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
貞子大戰(zhàn)碟仙
黃焱明,趙紫彤影片主打懸疑驚悚,將中日鬼神文化腦洞大開(kāi)的融合在一起,兩股勢(shì)力的對(duì)戰(zhàn)讓影片過(guò)程驚喜不斷。高顏值與精良的制作讓這部電影成為難得的網(wǎng)絡(luò)大電影佳品?! ∮捌铺旎牡膶⒇懽优c碟仙兩個(gè)角色設(shè)置成為撕逼對(duì)抗,增添了影片的可看性。人性化的處理、懸疑的升級(jí)、科學(xué)合理的解釋和恰到好處的驚悚效果,讓影片回歸到了十分理性的邏輯上。主演們均是養(yǎng)眼的俊男靚女搭配,身著統(tǒng)一的校園制服清新亮麗,讓一些男性觀眾對(duì)《貞子大戰(zhàn)碟仙》無(wú)可挑剔