播放通道
詳細(xì)簡介
熱門影視 大家都在看
掃惡
潘斌龍,包貝爾,趙潤南,克拉拉,周大勇,郭子恒,侯浩然,于柏林,釋小龍,湯鎮(zhèn)業(yè),九孔,常鋮毛骨悚然撞鬼經(jīng) 2021特別篇
橋本環(huán)奈,恒松祐里,山中崇,與田祐希神秘科學(xué)影院3000
金箍上的裂痕
QB壞男孩和我2
斯艾娜·阿古頓,諾亞·貝克,詹姆斯·范德比克,德魯·雷·坦納正義聯(lián)盟:無限地球危機(jī)(中)
詹森·阿克斯,斯坦娜·卡蒂克,吉米·辛普森,吉第安·艾朵,盧·戴蒙德·菲利普斯,詹妮弗·黑爾,特洛伊·貝克,阿爾迪斯·霍吉,威爾·弗里德爾,梅格·唐納利,岑勇康,馬特·蘭特爾,達(dá)倫·克里斯,連姆·麥肯泰爾,艾托·艾桑多,吉奧弗瑞·阿倫德,杰米·格雷·海德,凱沙·夏普,馬特·瑞安,喬納森·亞當(dāng)斯同類推薦
在樂響舞動時
蘇拉吉·潘喬里,Isabelle Kaif,Sammy Jonas Heaney她是一位國標(biāo)舞者,卻在重大賽事的緊要關(guān)頭遭遇危機(jī),幸好有位街頭舞者挺身而出,不顧自身過往的傷痛,擔(dān)任她的出賽舞伴。
賞金獵豬
安迪·瑟金斯,杰森·蘇戴奇斯,雷恩·威爾森,洛琳·阿什伯恩,魯保羅,謝爾碧·楊,Flavor Flav,莉莉·辛格,查爾斯·阿德勒,阿妮塔,漢納·蓋茨比賞金獵豬,一只被人類雇傭去抓捕那些逃亡動物的豬。在追捕一只從一個邪惡馬戲團(tuán)逃亡的大象過程中,但卻陷入了一場兩只動物的全球冒險之中,這也在慢慢改變他的一些觀念。
得閑謹(jǐn)制
肖戰(zhàn),彭昱暢,周依然,楊新鳴,阿如那,甘昀宸,周思羽,嚴(yán)知度,尹正,祖峰,廖凡,許君聰,江奇霖,任程偉機(jī)械廠鉗工莫得閑(肖戰(zhàn) 飾)拖家?guī)Э陔S逃難隊伍躲進(jìn)山區(qū),與被大部隊遺忘的防空炮長肖衍(彭昱暢 飾)及手下在“戈止鎮(zhèn)”落腳。然而,莫得閑和妻子夏橙(周依然 飾)、老太爺(楊新鳴 飾)以及兒子莫等閑(嚴(yán)知度 飾)的平靜生活因?yàn)橐恍£犎毡緜刹毂囊馔獾絹肀淮蚱?。全?zhèn)百姓不忍不退,拼死守護(hù)家園,一場民間智慧對抗正規(guī)武裝的殊死較量轟然展開。
黑色城堡
Evgeniy Shvarts,維羅妮卡·烏斯蒂莫娃,葉夫根尼·斯迪查金,琳達(dá)·拉賓什,阿納斯塔西婭·克拉索夫斯卡婭,Aleksandr GirenokYoung professor Anton Kosmich studies the history of Belarus. One day he is mystically transported to the Middle Ages, where he will have to unravel the secrets of the past millennia.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.