君子好逑2

★ 9.3 播放：22萬 更新：2026-04-28
主演：未知

時裝設計師秀妍（首爾孝珠）是一個有吸引力的人才以及性感的女人總是工作，并對婚姻不在乎。然后有一天，她提出了她的男朋友，她太坪（Baek暫無內容GEON植），共同生活在一個合同。她寫下了一個契約，涉及的事實，他們睡在一起，每周一次的條件。然后有一天，允民宇，一個有錢的財閥曾經是秀妍的男友，出現(xiàn)了，他告訴她他想重新開始與她。她隱藏的事實，她是太坪和日期的民宇的生活。太坪很快感覺有事時，秀妍開始晚回家而拒絕愛。不久之后，秀妍打破了太坪，問民宇娶她，但她不禁感到缺少什么

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劇情簡介

時裝設計師秀妍（首爾孝珠）是一個有吸引力的人才以及性感的女人總是工作，并對婚姻不在乎。然后有一天，她提出了她的男朋友，她太坪（Baek暫無內容GEON植），共同生活在一個合同。她寫下了一個契約，涉及的事實，他們睡在一起，每周一次的條件。然后有一天，允民宇，一個有錢的財閥曾經是秀妍的男友，出現(xiàn)了，他告訴她他想重新開始與她。她隱藏的事實，她是太坪和日期的民宇的生活。太坪很快感覺有事時，秀妍開始晚回家而拒絕愛。不久之后，秀妍打破了太坪，問民宇娶她，但她不禁感到缺少什么

導演精選

東京出租車2025

故事圍繞的士司機宇佐美浩二（木村拓哉 飾）展開，他每日奔波于都市間工作養(yǎng)家，卻因女兒的學費、的士驗車費、房屋租金等接踵而至的現(xiàn)實壓力而身心俱疲。某日，浩二接到一項特別的委托——接載年邁的高野堇女士（倍賞千惠子 飾）從東京柴又前往神奈川葉山的養(yǎng)老院?！霸陔x開東京之前，想先到幾個想去的地方看看”，堇女士淡然請求。隨著的士駛過日本的大街小巷，陌生的兩人逐漸打開心扉，堇女士也徐徐道出自己跌宕的人生過往。這趟偶然的旅程，不僅觸動了他們的心靈，也讓二人在平凡的日子中，為彼此的人生留下難忘的美好印記。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

狼蛛

　　本片是美國50年代一部優(yōu)秀的科幻片。導演Jack Arnold運用特效，讓一只小小的蜘蛛在銀屏上變成一只體形龐大的塔蘭圖拉毒蛛。影片中的塔蘭圖拉毒蛛是一只十分可怕的怪獸，它四處破壞，但始終免不了滅亡的命運?！　〗浀淇苹闷瑥娏彝扑]！