有求必應(yīng)呼叫中心

臨冬

an experimental work by the Negu Collective, all of them former students of the ESCAC in Barcelona.

毛骨悚然撞鬼經(jīng) 2022夏季特別篇

多力特的奇幻冒險

　　故事發(fā)生在英國維多利亞女王（杰西·巴克利 Jessie Buckley 飾）統(tǒng)治時期，多力特（小羅伯特·唐尼 Robert Downey Jr. 飾）擁有著能夠和動物交談的特殊能力，和妻子一起在老家經(jīng)營著一家動物醫(yī)院。　　一場意外奪走了多力特妻子的生命，這巨大的打擊讓多力特封閉起了心門，拒絕和任何人類接觸。一天，一個名叫湯姆（哈里·科萊特 Harry Collett 飾）的男孩闖入了多力特的家，帶來了一只受傷的松鼠，希望多力特能夠救它。與此同時，維多利亞女王患上了一種怪病，于是派出了侍女蘿絲（卡梅爾·拉尼亞多 Carmel Laniado 飾）去拜訪多力特，請他出山。多力特所擁有的動物莊園歸屬于女王的名下，如果女王去世了，那么多力特將失去他和動物們這唯一的樂園。

喚醒殺手

　　影片講述了哈維無意中發(fā)現(xiàn)了多年前連環(huán)殺手十二宮自拍的殺人錄像，他聯(lián)系好友決定報警并平分十萬美金的懸賞，不料當(dāng)夜殺手便將他們盯上，一場屠殺即將開始。

樂透大作戰(zhàn)

　　即將退伍的南韓兵長千禹（高庚杓 飾），某天意外在緊繃的南北韓軍事線附近，撿到一張飄向自己的頭獎彩券，之后卻一個不小心，讓這張彩券乘風(fēng)飄向無法涉足的北韓…。為了靠57億獎金實現(xiàn)退伍夢想，他使出渾身解數(shù)尋找彩券，沒想到竟被北韓士兵榮浩（李伊庚 飾）給撿到…。跟彩券擦身而過的 千禹，以及在北韓不過是張紙片，必須到南韓把彩券換成獎金的榮浩，再加上意想不到的成員們共同加入，雙方為了死守這57億巨額獎金，決定“越線”展開驚險刺激的機(jī)密協(xié)商······

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.