搜身
一個(gè)美國(guó)女大學(xué)生到中國(guó)旅行，因被懷疑有恐怖分子嫌疑被扣押搜查和盤(pán)問(wèn)。 一個(gè)阿拉伯男學(xué)生到美國(guó)旅行在美國(guó)機(jī)場(chǎng)被當(dāng)作恐怖分子嫌疑而被扣押搜查、盤(pán)問(wèn)。 在電影中，中國(guó)警察和美國(guó)FBI盤(pán)問(wèn)嫌疑人的問(wèn)題也如出一轍。據(jù)說(shuō)，影片是為了抨擊911后特別是;愛(ài)國(guó)者法案通過(guò)后美國(guó)上下掀起的;防恐過(guò)敏癥，導(dǎo)演認(rèn)為這是對(duì)公民自由權(quán)的侵犯，影片最后提出的問(wèn)題是：;為什么安全保衛(wèi)必須以犧牲公民自由為代價(jià) 一個(gè)現(xiàn)代化的中世紀(jì)傳奇故事，Erik Magnusson，一名年輕男子，他決定跟隨已經(jīng)疏遠(yuǎn)的女友，進(jìn)入一場(chǎng)中世紀(jì)游戲，在游戲中，他發(fā)現(xiàn)自己的女友被另一個(gè)游戲玩家誘惑了。
即刻觀影
劇情賞析
編輯推薦
高空求生
威廉·鮑德溫,Loris Curci,Christopher Greco,珍妮·卡斯帕,Kseniya Pinch,Zach Rose,Marianna Rosset,Diljohn Singh,Crystal WebTwo sisters living separate lives on different continents are reunited on a Mediterranean Island. The two barely have time to bond and revive family ties as Kate, the elder, meets a group of locals and agrees to an exciting ride on a hot air balloon. But disaster strikes and as the result of a freak accident, the balloon is carried far out to sea. Their cell phones out of range, and the balloon running out of gas, Kate and her friends are battling for their lives. While, back on land, the younger sister, Liz, has become an unwanted "material witness" to a crime. Matters then take a dramatic twist, one that will mark their lives forever.
瀉湖惡棍
珍娜·卡蘭,格雷格·多爾查克,托里·埃利斯一位悲痛欲絕的年輕女子必須面對(duì)她內(nèi)心深處的恐懼和一種致命的水生生物，努力證明湖底的恐怖是真實(shí)存在的。
喪尸出籠：血脈
Sophie Skelton,喬納森·斯卡奇,Jeff Gum,Marcus Vanco,馬克·史密斯,Lorina Kamburova,莎莉·沃特森,Rachel O'Meara,克里斯蒂娜·塞拉菲尼,Lillian Blankenship,Debbie Sherman,Luke Cousins,Nathan Cooper,阿塔納斯·斯雷布雷夫,Ulyana Chan因流感感染的死者突然復(fù)活，變成喪尸開(kāi)始瘋狂撕咬活人，被咬后的活人紛紛變成喪尸，一場(chǎng)末日喪尸之戰(zhàn)自此開(kāi)始...
致命錄像帶
Calvin Reeder,萊恩·休斯,亞當(dāng)·溫加德,Hannah Fierman,Mike Donlan,Joe Sykes,Drew Sawyer蓋里（Calvin Reeder 飾）、扎克（Lane Hughes 飾）等人是一伙無(wú)惡不作的不法之徒，某天他們接到委托，要闖入某戶(hù)人家偷取一盒神秘的錄像帶?？湛帐幨幍拇蠓孔永?，只有一個(gè)死去的老人坐在電視機(jī)前。他們無(wú)所顧忌，播放了那盤(pán)錄像帶：第一段視頻中，一群年輕人帶著針頭攝像頭去夜店狂歡把妹，卻遭遇一名奪命妖妹；一對(duì)旅行中的情侶入住Motel，期間他們偶遇一名請(qǐng)求搭車(chē)的女子，夜晚更有人潛入他們的房間，厄運(yùn)降臨；兩男兩女驅(qū)車(chē)去林區(qū)度假，卻遭遇兇殘的殺手；一對(duì)網(wǎng)絡(luò)情侶通過(guò)視頻聊天，女子聲稱(chēng)經(jīng)常在家中聽(tīng)到奇怪的聲響。鏡頭前，一幕幕恐怖畫(huà)面接連上演。萬(wàn)圣節(jié)，幾名男子以外遭遇了神秘而殘酷的儀式，他們介入其中，自己的命運(yùn)也發(fā)生改變?！ ′浵駧ЫY(jié)束，恐怖故事卻剛剛來(lái)開(kāi)序幕……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
異形：奪命艦
卡莉·史派妮,戴維·榮松,阿奇·雷諾,伊莎貝拉·莫塞德,斯派克·費(fèi)恩,吳愛(ài)玲,丹尼爾·貝茨,伊安·霍姆,特雷沃·紐林,羅伯特·勃洛克茨基,安妮瑪麗·格里格斯,羅茜·伊德,索瑪·西蒙,本斯·歐科克,維克托·歐利祖影片時(shí)間線設(shè)定在1979年第一部《異形》與1986年的續(xù)集《異形2》之間，圍繞一群年輕而勇敢的太空殖民者展開(kāi)。講述他們?yōu)樘与x外星采礦殖民地的沉悶生活，在冒險(xiǎn)探索一座廢棄的太空站時(shí)，意外遭遇了宇宙中最可怕的生命體——異形?！ —M窄幽暗、危機(jī)四伏的空間站中，大逃殺的序幕已經(jīng)被無(wú)情拉開(kāi)，人類(lèi)再次成為異形生物捕獵的目標(biāo)。在無(wú)盡的黑暗與死亡威脅的籠罩之下，太空探險(xiǎn)隊(duì)員們能否在每一次心跳的瞬間，察覺(jué)到未知生物潛伏的絲絲寒意？在這場(chǎng)你死我活的追逐戰(zhàn)中，他們將直面怎樣的信任挑戰(zhàn)和道德掙扎？當(dāng)一個(gè)又一個(gè)同伴被殘忍吞噬，求救無(wú)門(mén)的他們究竟能否在這場(chǎng)太空殺戮中尋得一線生機(jī)？