灼熱之舌

8.8 播放:22萬 更新:2026-04-22

"The Tongue of The Sun" is a story of the end of our planet and how two ordinary people that live an extraordinary love generate the genesis needed to give the human race a new chance. In the mysterious alchemy that is love; lies the last hope that human beings have of transcending the inevitable end of the world.

即刻觀影

劇情賞析

"The Tongue of The Sun" is a story of the end of our planet and how two ordinary people that live an extraordinary love generate the genesis needed to give the human race a new chance. In the mysterious alchemy that is love; lies the last hope that human beings have of transcending the inevitable end of the world.

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浴血蔣家河口

任帥,關(guān)亞軍,曹楠,計美臣

蔣家河口戰(zhàn)役打響了新四軍抗戰(zhàn)的第一槍,也是新四軍挺進敵后打伏擊的第一仗。此役以少克眾,以弱勝強,孤軍深入,出奇制勝,給了囂張跋扈、不可一世的日本侵略者一個結(jié)結(jié)實實的下馬威,極大地鼓舞了中國軍民的抗戰(zhàn)斗

頭顱游戲

Carly Steel,萊昂納德·羅伯茨,杰咪·希爾,Edward Gelhaus,卡梅隆·博文,克里斯·海耶斯,Sidney Allison

  9名年輕人醒來后,腦袋上插著攝像頭,他們是一場密室逃脫游戲的參與者,為了生存,必須相互殺戮,直到最后一人。

白日殺機

張小仟,章宇,鄭諾,亦涵 Han Yi

  故事描述了陳偉(章宇 飾)和性感美女艾菲(亦涵 飾)前往一處廢棄多年的化工廠做規(guī)劃設(shè)計,卻意外陷入了一連串恐怖事件的故事。一路上,艾菲作為第三者,主動示愛陳偉,兩人暗地里偷偷交往,而陳偉則在背叛自己的女友的情況下接受了這種行為。他們抵達化工廠后,發(fā)現(xiàn)這里布滿了詭異的氛圍:墻上刻著血字,艾菲突然消失了。陳偉意識到自己可能已經(jīng)陷入了一個危險的陷阱,成為了神秘人設(shè)計的犧牲品?! £悅ヅc神秘人展開了搏斗,試圖逃出險境。在這場斗智斗勇中,他們面臨著生死攸關(guān)的局面。最終,是否能夠成功逃生,成為故事的懸念。然而,即使逃脫了生理上的危機,陳偉還將面臨道德和良知的拷問。他的背叛行為是否值得,他對自己和他人的所作所為是否感到內(nèi)疚和后悔,這些問題也將成為他未來的挑戰(zhàn)。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

觸碰我

帕姬·布魯斯特,奧利維亞·泰勒·達德利,盧·泰勒·普奇

一對互相捆綁的摯友,在生活崩塌之際,遇見了自稱能治愈一切創(chuàng)傷的神秘男子布萊恩。他的觸碰如毒品般令人上癮,瞬間撫平焦慮與抑郁,卻在溫柔面具下藏著外星掠食者的獠牙。當兩人受邀前往他的偏遠莊園,這場“療愈之旅”徹底失控:觸手、血案、精神操控,一場以愛為名的寄生,正在吞噬他們的靈魂與世界。

開心勿語

梅艷芳,曾志偉,吳君如,蔡一杰,蔡一智

  梅家四姐妹父母早亡,多虧大姐大香(梅艷芳 飾)獨立經(jīng)營點心店,妹妹二香(柏安妮 飾)、三香(陳加玲 飾)和四香(袁潔瑩 飾)才能順利完成學(xué)業(yè),出落成開朗可愛、美麗動人的大姑娘。三個妹妹吸引來無數(shù)的追求者,她們也各自找到了心儀之人。然而梅家有個不成文的規(guī)定,只有大姐出嫁后三個妹妹才能順序出嫁,偏偏大香不重儀表,脾氣又壞,男人們唯恐避之不及,這可愁壞了三個愁嫁的女孩。為了讓姐姐早日找到如意郎君,她們和各自的男友商量幫大香物色一個合適的對象。  三好小男人曾灶才(曾志偉 飾)被女友愛絲(吳君如 飾)拋棄,傷心欲絕之時,他被三姐妹找來追求冰山美人大香……