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劇情簡(jiǎn)介

舒妮乃是高中應(yīng)屆畢業(yè)生，正值思春時(shí)期，對(duì)男女歡y-x愛(ài)，心存嚮往與幻想。因獨(dú)守空閨難耐，經(jīng)常春夢(mèng)。 有一天，全家到渡假中心，家順經(jīng)朋友佩怡介紹，結(jié)識(shí)女友羅玉文，而佩怡也有要好男友陳志文，都在渡假中心房?jī)?nèi)，常有親密肉體接觸。　家順之妹舒妮，遇到一名身體壯碩健美的游泳教練楊志雄，很快產(chǎn)生仰慕情愫，暗戀心中。當(dāng)湯舒妮得知此教練已有未婚妻，對(duì)自身僅當(dāng)兄妹之情后，內(nèi)心遭受失戀痛苦。湯舒妮之兄家順，見(jiàn)其妹未嘗初戀之喜，就遭失戀之苦，而感到心疼。便從中開(kāi)導(dǎo)，使其妹重拾歡笑......... 　　

導(dǎo)演精選

僧侶

　　阿姆布羅瑟（文森特·卡索 Vincent Cassel 飾）是一名非常虔誠(chéng)的修道士，早就發(fā)誓將自己的身體和心里全權(quán)交由上帝管理。苛刻而又嚴(yán)格的他對(duì)教義有著自己獨(dú)特的理解，他覺(jué)得世人每一日都在玷污上帝的存在。瑪?shù)倌确浅５某绨莅⒛凡剂_瑟，她的順從和服從激發(fā)了阿姆布羅瑟潛藏在心底的獸欲，欲望一旦被激發(fā)，就無(wú)法收拾，阿姆布羅瑟一步一步向著深淵走去。　　安東尼婭（約瑟芬·約比 Joséphine Japy 飾）是常常前往修道院為自己的母親禱告的女孩，她的純潔吸引了阿姆布羅斯的注意，后者為了能夠占有她的身體，不惜設(shè)計(jì)將她的母親殺死。最終，阿姆布羅瑟的種種罪行被一個(gè)貴族青年給發(fā)現(xiàn)了。

非法入侵

　　米勒一家似乎擁有所有人都?jí)裘乱郧蟮纳睿汉勒⑴苘?chē)、美滿(mǎn)的家庭。在一個(gè)普通的日子，美麗的妻子薩拉（妮可·基德曼 Nicole Kidman 飾）迎接出差回家的丈夫，成功的鉆石采購(gòu)商凱爾（尼古拉斯·凱奇 Nicolas Cage 飾）。凱爾回家的同時(shí)青春期的女兒則艾弗瑞（麗亞娜·萊伯拉托 Liana Liberato 飾）瞞著父母偷偷溜出家門(mén)去參加朋友家的派對(duì)。可是天有不測(cè)風(fēng)云，一伙由四人組成的搶劫團(tuán)伙闖進(jìn)米勒家，綁架了夫婦二人欲實(shí)施搶劫。艾弗瑞參加完派對(duì)回家也不幸撞到了家中正在發(fā)生的悲劇。面對(duì)喪心病狂的劫匪，米勒一家將怎樣解除危機(jī)？他們是否會(huì)安然無(wú)恙？而這看似普通的搶劫背后是否又有不為人知的陰謀和骯臟的秘密？

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.