芳魂遺恨

男孩、鼴鼠、狐貍和馬

 查理·麥克西的同名繪本改編的手繪動(dòng)畫(huà)，關(guān)于善良、友誼、勇氣和希望，通過(guò)一段辛酸而真摯的旅程，講述了一個(gè)男孩、一只鼴鼠、一只狐貍和一匹馬，四個(gè)孤獨(dú)的靈魂在尋找家的過(guò)程中結(jié)伴而行，并在彼此身上找到了自己存在的意義。

別怕，是我

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

再見(jiàn)六月

　　故事發(fā)生在圣誕節(jié)前夕，母親的健康突然出狀況，讓四名成年子女和他們令人頭痛的父親慌了手腳，面對(duì)可能即將發(fā)生的失去，家庭氣氛也混亂失衡。但聰明的母親六月處變不驚，以犀利的幽默、坦率的態(tài)度和豐沛的愛(ài)，安排好自己的人生謝幕。

失蹤謎案

　　一對(duì)夫婦入住了一家度假酒店,幾個(gè)小時(shí)后,他們的女兒失蹤了.隨著尋找他們女兒的時(shí)間的推移,越來(lái)越多的真相與謎題出現(xiàn).....

大明嬪妃之選秀

　　皇太子爭(zhēng)選太子妃，蘭心本有所愛(ài)，卻不得不進(jìn)到太子府，因?yàn)椴湃A出眾，深得皇太子和紀(jì)淑妃的喜愛(ài)，蘭心被嫉妒和排擠，在太子府里受盡磨難！　　其實(shí)一切陰謀都是秀女姚芊芊設(shè)計(jì)的，姚芊芊是萬(wàn)貴妃的人，自己參選秀女就是為了接近太子，協(xié)助萬(wàn)貴妃鏟除太子，雖然她心中也另有所愛(ài)，但不得不去爭(zhēng)選太子妃，鏟除一切阻礙自己當(dāng)上太子妃的秀女?！　∫奋废莺μm心通奸，差點(diǎn)害的蘭心被賜死，關(guān)鍵時(shí)刻蘭心被梅兒所救。幾日后公布太子妃人選之時(shí)，紀(jì)淑妃為了顧全大局，還是讓姚芊芊當(dāng)上了太子妃，姚芊芊十分痛苦內(nèi)心掙扎，蘭心、梅兒、金碧瑤當(dāng)上側(cè)妃，大家各懷念想……。