功夫雄獅

★ 2.2 播放：02萬 更新：2026-04-24

14-year-old Jimmy (played by Tyrell Williams) practices kung fu. For the lion dance, which is performed out on the streets, he is determined to hold the head of the lion. But when his teacher, the sifu, announces the new crew, his dream comes crashing down. He has to make do with the tail end, while the talented newcomer Li Jié (Haye Lee) is given the coveted place. Jimmy does all he can to become number one and earn his place up front with the head. But this means he has to defeat a number of annoying bullies, convince the sifu of his qualities and, especially, overcome himself. Williams, a former Dutch karate champion and Lee, a kung fu practitioner, jump and kick in their first feature film. Kung fu leeuw is an exciting film for young people about the challenges of growing up – which are easier to face when you’re armed with the wisdom of the martial arts. Filmmaker Froukje Tan uses Rotterdam as the backdrop for the lion dance, highlighting the less obvious traditions of the city. Previously, Froukje Tan made the feature films Swchwrm (2012) and Links (2008), and the short Het jongetje dat niemand verstond (2002).

在線播放

劇情簡介

14-year-old Jimmy (played by Tyrell Williams) practices kung fu. For the lion dance, which is performed out on the streets, he is determined to hold the head of the lion. But when his teacher, the sifu, announces the new crew, his dream comes crashing down. He has to make do with the tail end, while the talented newcomer Li Jié (Haye Lee) is given the coveted place. Jimmy does all he can to become number one and earn his place up front with the head. But this means he has to defeat a number of annoying bullies, convince the sifu of his qualities and, especially, overcome himself. Williams, a former Dutch karate champion and Lee, a kung fu practitioner, jump and kick in their first feature film. Kung fu leeuw is an exciting film for young people about the challenges of growing up – which are easier to face when you’re armed with the wisdom of the martial arts. Filmmaker Froukje Tan uses Rotterdam as the backdrop for the lion dance, highlighting the less obvious traditions of the city. Previously, Froukje Tan made the feature films Swchwrm (2012) and Links (2008), and the short Het jongetje dat niemand verstond (2002).

導(dǎo)演精選

心碎往事

　　父親的突然去世讓湯米（安東·尤金 Anton Yelchin 飾）一家人陷入了混亂，家庭無人照料一片狼藉，母親終日哭泣郁郁寡歡，就在這樣一種糟糕的情況下，湯米迎來了自己躁動又不安的青春，無處發(fā)泄的他只能通過調(diào)皮搗蛋來紓解心中的積怨。輟學(xué)后的湯米在一家熟食店打工，負(fù)責(zé)送貨?！　缀团笥雅留斉了梗_賓·威廉斯 Robin Williams 飾）成天廝混在一起，帕魯帕斯是一個外表成熟但心智幼稚的“大齡兒童”，兩人之間的感情真摯又深厚。一次意外中，湯米結(jié)識了妓女蕾蒂（Erykah Badu 飾），后者帶領(lǐng)他進(jìn)入了成年人的世界，享受了愛情的甜蜜與苦澀。一場意外的發(fā)生摧毀了湯米自由的生活，它不僅終結(jié)了湯米的現(xiàn)在，也波及到了他的未來。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

可怖之事

 故事發(fā)生在中世紀(jì)的英格蘭，安妮和她專橫跋扈的婆婆莫溫在社會邊緣掙扎求生。然而，當(dāng)安妮過去的一位故人從戰(zhàn)場歸來，一位神秘騎士的出現(xiàn)似乎預(yù)示著詛咒的降臨，并威脅著她們所有人的命運。