新的哥哥

大佛回國(guó)

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

蔗噬

　　一場(chǎng)與虐殺狂魔的生死競(jìng)速就此展開——販賣幸存者拼死追蹤被綁少女，而自其失蹤后，每一小時(shí)流逝都令少女的生機(jī)愈加岌岌可危

毛骨悚然撞鬼經(jīng) 2012夏季特別篇

　　《紅指甲》備受人際關(guān)系困擾的公司職員石田（山下智久 飾）回家途中意外拐錯(cuò)了叉路口，險(xiǎn)些喪命。據(jù)說走錯(cuò)叉路口的人絕對(duì)不可以把看到的東西告訴別人，否則對(duì)方將遭遇不幸。某晚，石田突然想起了那一天看到的景象?！侗辉{咒的病室》新人護(hù)士佐野愛莉（剛力彩芽 飾）偶然發(fā)現(xiàn)，居住在308病房的病人，去世前總會(huì)凝視著病房屋頂某個(gè)地方，那里似乎有什么東西存在?！队壹缰方螘r(shí)間，青年利也（岡田將生 飾）總是感覺肩膀很沉，他頗有些靈力的女友告訴他，他的右肩待著一位大嬸；《午夜末班車》男子（スギちゃん 飾）看錯(cuò)時(shí)間，錯(cuò)過了一個(gè)小時(shí)前的地鐵末班車。正當(dāng)他懊悔之際，他的眼前?？苛艘惠v空無(wú)一人的列車；《夏日回憶》聰美（香里奈 飾）不久前與愛慕自己的青梅竹馬好友小悠（菅田將暉 飾）生離死別，某天晚上，小悠的身影出現(xiàn)在聰美床頭……

楊非與高俐

高俐醉酒被強(qiáng)哥等人綁架索贖金一億，楊非因父需百萬(wàn)手術(shù)費(fèi)趕路時(shí)車被同一伙劫匪搶走。二人相遇后，楊非助高俐斗綁匪，發(fā)現(xiàn)高俐與曾因治妻病抵押房產(chǎn)、借高利貸卻致家庭破裂的父親有矛盾。最終高俐獲救，與父和解，楊非湊齊手術(shù)費(fèi)，二人相戀。

極限審判

 警探雷文（克里斯·帕拉特 飾）突遭指控，陷入殺妻疑云，被推上由AI判官裁決的審判席。90分鐘倒計(jì)時(shí)啟動(dòng)，他必須借助AI“天眼”系統(tǒng)，在海量數(shù)據(jù)中尋找翻盤證據(jù)，推翻指向自己的致命結(jié)論，否則將被當(dāng)庭處死。然而，調(diào)查越深入，嫌疑人越多，數(shù)據(jù)卻不斷自我驗(yàn)證、層層鎖死真相。當(dāng)算法 構(gòu)成無(wú)法破解的死局，人類還能否掙脫系統(tǒng)的最終裁決?

電梯游戲

　　故事描述萊恩（吉諾亞拿尼亞 飾）的妹妹在幾個(gè)月前失蹤了，他認(rèn)為她失蹤的原因是玩了網(wǎng)路上流傳的“電梯游戲”，傳說只要照著特定步驟操作電梯，就可以前往另一個(gè)次元。為了找到妹妹，萊恩說服他的朋友們一同進(jìn)行電梯游戲，此舉卻為他們招來無(wú)法挽回的后果……