　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

亡命競(jìng)速

Jason Park,Christopher Deon,Luka Dingess,Brandon Dunlap,Nadia Adelay,朱迪·阮,Oscar Rockwell

艾斯與他手下的一隊(duì)精英街頭賽車手，在一個(gè)神秘組織威脅到他身邊之人時(shí)，被迫卷入一項(xiàng)高籌碼任務(wù)。在“四朋友”事件之后，他們發(fā)現(xiàn)自己竟在為惡名昭彰的“刺客教會(huì)”效力，并被指派去完成一項(xiàng)不可能的工作。然而，當(dāng)他們不斷突破極限時(shí)，卻揭示了一個(gè)令人不寒而栗的真相——失敗本就是計(jì)劃的一部分。在這場(chǎng)腎上腺素飆升的驚悚之旅中，背叛、速度與生存激烈碰撞，真正的競(jìng)賽不僅為了勝利，更是為了活命。

百日孤獨(dú)

伊萬·瑞恩,安德烈·赫尼克,雷納·沃納,佐伊·格萊斯戴爾,尼爾斯-布魯諾·施密特,蒂姆·威廉姆斯,克里斯蒂安·帕斯奎雷羅

　　外星人侵占了地球，人們被迫逃到地底下的巨型地堡避難。S.U.M.1是一個(gè)忠誠的戰(zhàn)士，他被送到地面上來拯救幸存者并每天匯報(bào)情況。他的任務(wù)就是守衛(wèi)人類的自我防御區(qū)不讓外星人靠近，然而這每天的例行任務(wù)卻逐漸成為他的噩夢(mèng)，令人恐懼的聲音在樹林里回蕩；基地每日都受到頻繁的攻擊；塔內(nèi)的電力供應(yīng)出現(xiàn)故障；修理工卻遲遲不出現(xiàn)。他的上司也從未告訴過他有關(guān)上一任的事。孤獨(dú)感與妄想癥慢慢侵蝕了他的理智。難道外星人真的埋伏在森林里嗎？還是S.U.M.1已經(jīng)被折磨到精神錯(cuò)亂了？

伉儷

塔提阿娜·瑪斯拉尼,羅西弗·薩瑟蘭,伯克特·圖爾頓,艾琳·博伊斯,泰絲·登根斯坦,克萊爾·福萊森,克里斯汀·帕克,洛根·皮爾斯,艾拉·韋杰爾,格倫·戈登,伊芙琳·伯克,吉娜·武爾塔焦,艾琳·蒂普爾

　　一對(duì)愛侶Liz和Malcolm去到一座偏僻的小屋度假，Malcolm卻因意外先回城了，留下Liz獨(dú)自一人，她很快發(fā)現(xiàn)這座小屋有著邪惡可怕的過去，如今纏上了自己。

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