播放通道
詳細(xì)簡介
熱門影視 大家都在看
德古拉2025
阿多尼斯·坦察,Oana Maria Zaharia,加布里埃爾·斯帕休,Alexandra Harapu,Ana Dumitrascu,亞歷山德魯·達(dá)比加,Claudiu Dumitru,謝爾班·帕夫盧,Andrada Balea,伊林卡·馬諾拉切,尼科丁·恩古里亞努,艾麗娜·塞爾班,Carina Lapusneanu,Marian Adochitei,Horea Avram,Alexandra Caras,Doru Catanescu,米?!た片斄_尤,Alexandru Georgescu,卡麗娜·齊青石鎮(zhèn)傳說
曹衛(wèi)宇,李培銘,胡亦瑤,張璐瑤,高凱葉甫蓋尼·奧涅金
弗拉季米爾·弗多維琴科夫,阿廖娜·克梅爾尼茨卡亞,Liza Moryak,維克多·杜布朗拉沃夫,塔基楊娜·柳達(dá)耶娃風(fēng)中的洛朗
巴蒂斯特·佩魯薩,碧翠斯·黛爾,托馬斯·達(dá)洛茲,莫妮克·克雷斯潘,雷蒙·巴爾諾,蘇贊妮·德芭奎,賈尼斯·布茲亞尼,呂西爾·巴萊佐,貝努瓦·格拉爾東,馬克西姆·馬尼昂,布魯諾·萊德,喬納森·默爾,帕梅拉·勒莫尼耶·埃利亞斯,維吉妮·阿爾諾,蕾拉·埃利亞斯,朱迪思·弗拉吉,伊拉·韋爾比茨卡亞,弗朗索瓦·奎克雷,約瑟芬·穆爾拉克,路易絲·皮特爾時(shí)間之外的故鄉(xiāng)
郭輝,朱宇涵,蔡宣萱沼澤怪物2
路易斯·喬丹,海瑟·洛克萊爾,莎拉·道格拉斯,迪克杜洛克同類推薦
浪浪人生
黃渤,范丞丞,殷桃,常遠(yuǎn),李嘉琦,劉雪華,付航,孫藝洲,張本煜,易小星,小愛,鄧恩熙,李治良,劉西蒙,郝瀚,杜夢涵,莊園曾經(jīng)叱咤小鎮(zhèn)的“大哥”黃榮發(fā)(黃渤 飾)如今嘴硬腿軟,開啟人生困難模式,但他和家人都沒有被命運(yùn)的風(fēng)浪裹挾。兒子黑狗達(dá)(范丞丞 飾)看似是黃家唯一“淡人”,暗地卻密謀如何發(fā)家又“治父”;妻子陳梨珍(殷桃 飾)樣樣全能橫掃困難,是小鎮(zhèn)人盡皆知不太好惹的“媽系超人”;膽大手“黑”的女兒黃嬌嬌(李嘉琦 飾)和“神”通廣大的阿太(劉雪華 飾)也各出奇招笑料百出。逆境當(dāng)前,一家唯有興“瘋”作浪跟生活貼臉硬剛,沒準(zhǔn)真能讓他們絕地翻盤?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
安吉的治療
拉內(nèi)特·塔切爾,肖恩·尼爾森,精華阿特金斯十年前,一位在派對上被強(qiáng)奸的年輕女子,飽受創(chuàng)傷,抓住難得的機(jī)會,向施暴者反擊。然而,復(fù)仇的甜蜜滋味,卻讓她變成了多年來一直恐懼的那個(gè)怪物。這段驚險(xiǎn)刺激的旅程將讓你緊張不安,模糊是非對錯的界限。隨著權(quán)力格局的不斷變化,安吉的治愈之路也引出了一個(gè)問題:“為了擺脫創(chuàng)傷,你愿意付出多少?”
憤怒的黑人女孩與她的怪物
Chad L. Coleman,Laya DeLeon Hayes,丹澤爾·惠特克It tells the story of teenage anti-hero, Vicaria, who is on a desperate quest to cure death.
索命暹羅之按摩師
林保怡,袁百梓卉,高捷,黃愷杰,鈕蔚淇,高翔,葉勇莫蘭(袁百梓卉 飾)擁有著一段悲慘的童年,很小的時(shí)候,她就失去了母親,然而莫蘭始終都不知道母親究竟為什么會死,這場悲劇成為了莫蘭內(nèi)心里最大的謎團(tuán)和黑洞。時(shí)間一年一年的就這樣過去,一轉(zhuǎn)眼莫蘭便已經(jīng)長成了亭亭玉立的少女,只是,她從未放棄過想要調(diào)查當(dāng)年事件真相的額念頭。 尹正(林保怡 飾)是莫蘭的師叔,在泰國經(jīng)營著一家按摩院。莫蘭千里迢迢遠(yuǎn)赴泰國尋找尹正,想要借助他的力量開始調(diào)查。哪知道來到泰國后,莫蘭的身邊開始接二連三的發(fā)生科學(xué)無法解釋的詭異事件,甚至還發(fā)生了命案,而這一切都和母親當(dāng)年的死因有著千絲萬縷的關(guān)聯(lián)。