即刻觀影
劇情賞析
編輯推薦
（情歌）
森崎溫,向井康二,及川光博,藤原大祐,齊藤京子,逢見亮太,筒井真理子,皮拉維·塔奇沙鵬,查隆拉·諾山榮,普雷瓦·蘇坦蓬被突然的任命令從東京派遣到海外工作的研究員·想太（森崎溫 飾），在曼谷與學(xué)生時(shí)代一直暗戀的凱（向井康二 飾）再會(huì)。看到在泰國(guó)作為攝影師兼音樂(lè)人活躍的凱的身影，內(nèi)心產(chǎn)生了動(dòng)搖。另一方面，小凱也對(duì)學(xué)生時(shí)代唱過(guò)的“未完成的歌”感到驚訝。將兩人聯(lián)系在一起的歌聲再次在心中響起……
警察游戲
杰克·約翰遜,小達(dá)蒙·韋恩斯,羅伯·里格爾,妮娜·杜波夫,安迪·加西亞,詹姆斯·達(dá)西,科甘-邁克爾·凱,喬納森·拉舒沃,湯姆·馬迪羅沙,娜塔莎·賴格羅,麗貝卡·庫(kù)恩,約書亞·奧蒙德,布萊恩·歐爾利,杰夫·蔡斯這是一部終極警匪拍檔動(dòng)作喜劇，除了他們并不是真的警察。當(dāng)一對(duì)窮途末路的好兄弟選擇以警裝參加了一場(chǎng)化妝舞會(huì)后，他們成為了街坊鄰居的大人物。這對(duì)新崛起的英雄在面對(duì)真實(shí)世界的歹徒惡棍及游走黑白的貪污警探時(shí)，他們拿起假證件整裝備戰(zhàn)。
海綿寶寶：深海大冒險(xiǎn)
克蘭西·布朗,馬克·哈米爾,湯姆·肯尼,布萊恩·道爾,比爾·法格巴克,勞倫斯先生,埃絲·史佩斯,羅德格爾·邦帕斯,卡羅琳·勞倫斯,道格拉斯·泰特,卡拉·三子,詹姆斯·亨特,Tammy Davis,Arthur Waite,布萊恩·科菲,Leonel Garza,Scott Frenzel,Melissa Kaye Bontempt,阿拉娜·菲利普為了證明自己不再是“小不點(diǎn)”，海綿寶寶下定決心，要向蟹老板展現(xiàn)他真正的勇氣。 他毅然決然追隨那位神秘的、縱橫四海的幽靈海盜——“飛天魔鬼”，開啟了一段驚心動(dòng)魄、顛覆想象的深海大冒險(xiǎn)！這段旅程將帶他闖入深海禁區(qū)，見證海綿從未觸及的神秘世界！
假日旅館
平·克勞斯貝,弗雷德·阿斯泰爾,瑪喬麗·雷諾茲,弗吉尼亞·戴爾,沃爾特·艾貝爾,路易絲·比弗斯,歐文·培根影片由一系列音樂(lè)片斷構(gòu)成，由擅長(zhǎng)歌舞巨片的馬克·桑德里區(qū)執(zhí)導(dǎo)。其中每一首插曲都以美國(guó)的節(jié)假日為線索，又都巧妙地集中到一對(duì)情敵的身上。本片獲1943年第15屆奧斯卡最佳編劇和最佳音樂(lè)獎(jiǎng)提名！一家開設(shè)在公路邊的旅館，兩個(gè)年輕的合伙人哈迪和海諾沃同時(shí)愛上了一位姑娘。海諾沃（由著名舞蹈家弗雷德·阿斯泰爾飾）盡管在愛情的追逐中連連占先，但最終還是敗給了哈迪（由著名歌星賓·克羅斯比飾）。哈迪是位酷愛音樂(lè)的懶散的人，他退休回到新英格蘭農(nóng)村，每逢節(jié)假日，他的農(nóng)場(chǎng)就成了娛樂(lè)總會(huì)……
外星戀
杰夫·布里吉斯,凱倫·阿蘭,查爾斯·馬丁·史密斯,理查德·杰克爾,Robert Phalen,Tony Edwards,John Walter Davis,Ted White,德克·布羅克,邁克·康納·蓋尼,Sean Stanek,喬治·“巴克”·弗勞爾,Russ Benning,Ralph Cosham,David Wells,亞歷克斯·丹尼爾斯,Mickey Jones,露·萊納德,約翰·卡朋特,黛博拉·蔻兒,伯特·蘭卡斯特,Nick Sagan約翰．卡彭特導(dǎo)演的這部科幻片并沒(méi)有強(qiáng)調(diào)特技噱頭，反而將重心放在異鄉(xiāng)人的主題上，而且拍出了相當(dāng)浪漫動(dòng)人的氣氛，甚至可以將它當(dāng)作一部取外星人為主角的文藝片來(lái)欣賞。杰夫．布里奇斯飾演一名純真的外星人，他的宇宙飛船被地救人擊落，掉在威斯康辛州的荒野。他負(fù)傷來(lái)到新近喪偶的寡婦凱倫艾的家中，并且借用她丈夫的身體來(lái)延續(xù)生命。在學(xué)習(xí)地球人的生活方式過(guò)程中，他跟寡婦發(fā)生了感情。外星人的救援隊(duì)將在三天后到達(dá)亞歷桑納州接他回外層空間，他需要寡婦開車送他到那里。地球上的兩位政府官員也接獲訊息，他們決定不管生死都要捉住外星人，因而引發(fā)了一場(chǎng)精彩的拉鋸戰(zhàn)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.