一樂也

★ 9.1 播放：68萬 更新：2026-04-28

本片是由三個(gè)民初故事《十粒金丹》、《千萬小心》、《一樂也》串聯(lián)而成的喜劇小品。《十粒金丹》：商會(huì)主席任洛天（許冠文飾）地位超然而且風(fēng)流成性，可惜年紀(jì)日增令到雄風(fēng)不再，故此任向友人購得印度春-;十粒金丹 希望再顯神威。任服-后，立即找其情婦小紅（恬妮飾）交歡一試-力，怎料就此一命嗚呼。鎮(zhèn)上督察長（許冠文分飾）奉命調(diào)查此案，小紅為免損害自己的利益，決以美色與金錢令督察長合謀假稱任是反動(dòng)份子 《千萬小心》：老婦傅于氏（許冠文分飾）因心胃痛到一公立醫(yī)院診治，此醫(yī)院服務(wù)一流，護(hù)士長（恬妮分飾）以及醫(yī)生（谷峰飾）等人更是對(duì)傅老太招呼周到。但手術(shù)進(jìn)行時(shí)，傅老太才發(fā)現(xiàn)這班醫(yī)生原來烏龍百出，傅老太慘被耍得沒氣抖?！兑粯芬病罚?一樂也 理發(fā)店學(xué)徒阿壽（許冠文分飾）向理發(fā)師傅（姜南飾）學(xué)師多年，但卻一事無成。一晚，阿壽被師母（胡錦飾）吩咐到靈堂守夜兼打麻雀，以為可以明正言順地偷懶大發(fā)橫財(cái)，想不到靈堂之尸首竟神秘消失　　

在線播放

劇情簡介

本片是由三個(gè)民初故事《十粒金丹》、《千萬小心》、《一樂也》串聯(lián)而成的喜劇小品?！妒＝鸬ぁ罚荷虝?huì)主席任洛天（許冠文飾）地位超然而且風(fēng)流成性，可惜年紀(jì)日增令到雄風(fēng)不再，故此任向友人購得印度春-;十粒金丹 希望再顯神威。任服-后，立即找其情婦小紅（恬妮飾）交歡一試-力，怎料就此一命嗚呼。鎮(zhèn)上督察長（許冠文分飾）奉命調(diào)查此案，小紅為免損害自己的利益，決以美色與金錢令督察長合謀假稱任是反動(dòng)份子 《千萬小心》：老婦傅于氏（許冠文分飾）因心胃痛到一公立醫(yī)院診治，此醫(yī)院服務(wù)一流，護(hù)士長（恬妮分飾）以及醫(yī)生（谷峰飾）等人更是對(duì)傅老太招呼周到。但手術(shù)進(jìn)行時(shí)，傅老太才發(fā)現(xiàn)這班醫(yī)生原來烏龍百出，傅老太慘被耍得沒氣抖。《一樂也》：;一樂也 理發(fā)店學(xué)徒阿壽（許冠文分飾）向理發(fā)師傅（姜南飾）學(xué)師多年，但卻一事無成。一晚，阿壽被師母（胡錦飾）吩咐到靈堂守夜兼打麻雀，以為可以明正言順地偷懶大發(fā)橫財(cái)，想不到靈堂之尸首竟神秘消失　　

導(dǎo)演精選

真情未語

　　一位年輕的傳教士發(fā)現(xiàn)自己已故父親保守多年的秘密，于是從菲律賓前往西班牙去尋找父親的禁忌之愛。

神勇雙響炮續(xù)集

　　小魔怪乃飛虎隊(duì)成員，因一次出錯(cuò)，被調(diào)派至行動(dòng)組與雷公共事，二人成斗氣冤家。威威李乃變節(jié)臥底，罪證菲林輾轉(zhuǎn)落在李女友Rosa手中，后來李遭反派毒手；小魔怪和雷公憑機(jī)智及運(yùn)氣終把壞蛋們繩之于法。

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.