致命的創(chuàng)傷
湖濱度假村由致力于一部驚悚片的作家 (亨利 Gregor) 參觀。他躲藏在他的房間里寫作，注意維羅妮卡是更多比有點(diǎn)奇怪。她不知疲倦地產(chǎn)生無(wú)可挑剔的陶瓷塑像，點(diǎn)綴著酒店。他聽到她自言自語(yǔ)，見(jiàn)證她的敵意，每次一對(duì)夫妻租一個(gè)房間。維羅妮卡是種女性諾曼 貝茨，一個(gè)膽小的孤立的女人害怕男人和怨恨的未婚的夫婦并沒(méi)有告訴汽車旅館浪蕩公子愛(ài)一夜崩潰。一天晚上，兩個(gè)徒步旅行 (Antonio 瑪雅人和伊莎貝爾諾) 是在他們的房間里砍死。這是從的黑色手套，剃刀殺手 POV 拍攝。尚不清楚，如果 Klimovsky 是模仿或戲仿當(dāng)時(shí)流行的意大利 gialli。流血是當(dāng)然豐富，與剃刀切割通過(guò)脖子、 臉、 胸部特寫。后來(lái)，一個(gè)庸俗的商人 (Ricardo 美利奴羊) 和一個(gè)妓女親熱后被殺了。同樣關(guān)閉 ups 的黑色手套，但是，再一次，我們沒(méi)有看到兇手的臉。維羅妮卡，還是維羅妮卡"死"丈夫回來(lái)從墳?zāi)?諷刺的是令人滿意的雙扭結(jié)結(jié)局揭開真相。
在線看
同款熱播
約束的罪行
塞西莉亞·羅特,米格爾·安吉爾·索拉,本杰明·阿瑪?shù)蠆W,索菲亞·哥拉,亞尼娜·阿維拉,迭戈·克雷莫內(nèi)西,保羅·巴林托斯,馬塞洛·索比奧托,瑪麗婭·瑪努爾,馬塞洛·丹德烈亞,克拉拉·科瓦西奇絕望的母親艾麗西亞竭盡所能阻止其子丹尼爾因謀殺前妻未遂而被判入獄。在這一過(guò)程中，艾麗西亞將發(fā)現(xiàn)一樁陰謀，這將徹底改變她的生活，并將其變成一個(gè)真正的噩夢(mèng)。
天才游戲
彭昱暢,丁禹兮,李蔓瑄,鄧恩熙,侯雯元窮途末路的天才少年劉全龍（彭昱暢 飾），被偏執(zhí)富家公子陳倫（丁禹兮 飾）選中，被迫踏入一場(chǎng)為他量身打造的“換命游戲”。豪華別墅、名車名表、神秘女友全部備齊，在陳倫的精心打造下，劉全龍瞬間擁有頂配人生。這場(chǎng)表面上各取所需的交易，暗地里卻殺機(jī)漸起。當(dāng)眾星捧月的快感喂大了野心，貪婪的目光開始盯上原主擁有的一切，那個(gè)曾經(jīng)溫順的“獵物”，開始在暗處亮出獠牙，而掌控一切的“獵人”似乎也早有籌謀。無(wú)名的尸體、操控與反噬、扮演與沉淪，這場(chǎng)游戲里，究竟是誰(shuí)在控制誰(shuí)？
充氣情人
朱可兒,王波文,鄒旭峰,袁宗軒潘金蓮（朱可兒 飾）時(shí)候，因?yàn)閷?duì)前世的感情放不下，所以一直在陰間徘徊，遲遲不能轉(zhuǎn)世投胎，在一次企圖逃跑的時(shí)候被鐘馗捉住，為了懲罰潘金蓮，鐘馗給了她十日的期限，讓她重返人間自斷執(zhí)念，否則就要她魂飛魄散，哪知道在誤打誤撞之中，潘金蓮竟然附身在了一個(gè)充氣娃娃的身上，被名為武志（王波文 飾）的男子買回了家。 單純善良的武志讓潘金蓮再度相信了人間有真愛(ài)，在幫助武志追求心儀的女神的同時(shí)，潘金蓮漸漸愛(ài)上了他，而武志也最終明白誰(shuí)才是最值得托付終身的人，兩人最終心意相通，但是，十日的大限將到，留給他們的時(shí)間不多了。
鐘無(wú)艷
鄭秀文,梅艷芳,張柏芝,黃浩然,林雪,王天林,許紹雄春秋戰(zhàn)國(guó)時(shí)期，一向昏庸好色的齊宣王（梅艷芳飾）誤闖夜叉山，碰上了美麗的寨主鐘無(wú)艷（鄭秀文飾），齊宣王決定把鐘無(wú)艷娶為皇后，可是一直傾心于鐘無(wú)艷的“狐貍精”（張柏芝飾）出手阻撓，只要鐘無(wú)艷愛(ài)上其他的人，臉上便會(huì)無(wú)緣無(wú)故多出一塊難看的紅斑。狐貍精后來(lái)化身夏迎春勾引齊宣王，齊宣王終日沉醉溫柔鄉(xiāng)。而鐘無(wú)艷為了夫君出生入死、南征北戰(zhàn)。齊宣王只會(huì)有事求助于鐘無(wú)艷時(shí)才好言相向。齊宣王十分好賭，竟然把鐘無(wú)艷作為作為籌碼輸?shù)袅?，鐘無(wú)艷憤怒離開，臉上紅斑也自然消失。夏迎春得逞后也離開了皇宮，齊宣王才發(fā)現(xiàn)自己最愛(ài)為何人，浪子回頭。在受到叛徒攻擊時(shí)，還是愛(ài)著齊宣王的鐘無(wú)艷，趕到了皇宮，幫忙驅(qū)走外敵……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
赤紅生死線
尼塔莎·吉拉尤吉恩,艾絲特·蘇普莉拉,Chutima Maholakul,托德薩蓬·邁蘇克,奔弘·奔提維此弓,寶哇麗·彭琵莫,阿卡那·凌米查,戴德·納塔南·昆瓦特三名女子淪為冷血電話詐騙的受害者。為了討回公道，他們決定對(duì)抗奪走他們金錢與尊嚴(yán)的犯罪網(wǎng)絡(luò)。