普里出租
Aiko Garcia plays a desperate woman thrust into an unusual job. In desperate need of money after getting fired, Nancy finds herself accepting a job as a young and rich disabled man's sexual partner. But can she let go of her dignity when the sex leads to love?
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急凍奇?zhèn)b
元彪,元華,張曼玉,林聰,吳志雄,黃耀明 Anthony Wong Yiu,黎燕姍,徐錦江,元奎,王晶煙花1995
山崎裕太,奧菜惠,反田孝幸,蘭迪·黑文斯,小橋賢兒,櫻木研仁,麻木久仁子,光石研,小山勵(lì)基,山崎一,深浦加奈子,田口智朗,石井苗子,酒井敏也,蛭子能收,中島陽(yáng)子瘋狂的麥克斯:狂暴女神
安雅·泰勒-喬伊,克里斯·海姆斯沃斯,湯姆·伯克,艾莉拉·布朗,喬治·謝夫佐夫,拉黑·休姆,約翰·霍華德,安格斯·桑普森, 查理·弗雷澤,埃爾莎·帕塔奇,內(nèi)森·瓊斯,喬什·赫爾曼,大衛(wèi)·菲爾德,拉赫爾·羅曼,戴維·科林斯,戈蘭·D·克魯特,CJ·布隆菲爾德,馬圖斯,伊恩·羅伯茨嗜血之夜
Nate Dushku,Samantha Facchi,Danielle Harris綁架
保羅·皮耶羅邦,福斯托·魯索·阿萊西,芭芭拉·朗奇,Enea Sala,萊昂納多·馬爾特斯,菲利波·蒂米,法布里齊奧·吉福尼,Andrea Gherpelli,Samuele Teneggi,科拉多·因韋爾尼齊,Aurora Camatti,保羅·卡拉布雷西,布魯諾·卡里諾,Renato Sarti,Fabrizio Contri,費(fèi)德里卡·弗拉卡西,查士丁尼·阿爾皮,亞歷山德羅·班迪尼,James Basham,Leonardo Bianconi偽裝大師1:維多女人
陳啟杰,高雨兒,張煒迅,夏星,張惠程,楊靜,閆銳同類(lèi)推薦
寶塔鎮(zhèn)河妖之詭墓龍棺
彭愚厶,曾妮,何其煒,王怡雯,郭野,周升清朝末年,城中百姓多數(shù)染上怪病。關(guān)心國(guó)家命運(yùn)的禾苗希望張孝智助自己到水下地宮取得寶藏。但另有幾方勢(shì)力為了獲得地宮寶藏展開(kāi)了一場(chǎng)大亂斗。最終,眾人發(fā)現(xiàn)所謂的寶藏根本子虛烏有。而導(dǎo)致盛京變成人間地獄的根源也非妖魔鬼怪,而是日本人人體試驗(yàn)的陰謀。 張孝智與禾苗、兄弟錢(qián)眼兒、棄暗投明的黑風(fēng)雙煞最終不計(jì)自身安危地準(zhǔn)備解救盛京的危局……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鬼悚歷險(xiǎn)3D
阿瑪雅·薩拉曼卡,馬克西·伊格萊西亞斯,Lucho Fernandez心理學(xué)專(zhuān)業(yè)學(xué)生安吉拉(Amaia Salamanca 飾)分外擔(dān)心她的期末學(xué)分,在教授的建議下,這個(gè)一向不相信超自然的女孩決定去探訪(fǎng)一座早已廢棄的礦區(qū)小鎮(zhèn)Susurro,那里曾經(jīng)有一個(gè)嗜血如命的馬特加醫(yī)生,傳說(shuō)他的惡靈至今還在小鎮(zhèn)上游蕩,殘害偶然闖入的人們。為了證明馬特加醫(yī)生的傳說(shuō)子虛烏有,也為了順利通過(guò)考試,安吉拉和她具有較強(qiáng)第六感的妹妹戴安娜(Alba Ribas 飾)以及同學(xué)喬西(Maxi Iglesias 飾)、托尼(óscar Sinela 飾)、貝蘭(úrsula Corberó 飾)、卡羅斯(Lucho Fernández 飾)驅(qū)車(chē)前往那個(gè)荒涼陰森的邊遠(yuǎn)小鎮(zhèn)?! 〗柚軆x器和戴安娜的配合,他們似乎真的將馬特加醫(yī)生喚回了人間,而死神也一步步向他們靠近……
天使的印跡:苦難
熱拉爾·德帕迪約,喬伊·斯塔爾,瑪爾特·克勒爾,蒂埃里·萊爾米特,湯姆·霍夫曼,馬修·加里瑞,伊蓮娜·諾古哈,呂迪格·福格勒弗蘭克·沙萊克是個(gè)國(guó)際刑警,沙萊克在工作中的過(guò)激行為有被上司停職的危險(xiǎn)。 弗蘭克·沙萊克有一個(gè)秘密組織,專(zhuān)門(mén)從事尋找綁架兒童的線(xiàn)索。 沙萊克聽(tīng)到唱詩(shī)班指揮的死亡,他認(rèn)為他自己能調(diào)查這個(gè)案件,并且他也已經(jīng)發(fā)現(xiàn)了一個(gè)線(xiàn)索,并與卡斯丹合作調(diào)查。但隨著調(diào)查的深入,他們?cè)较菰缴?,那些秘密就隱藏在二次大戰(zhàn)的那些黑暗歷史中
魔影襲人來(lái)
萊斯利·霍華德,勞倫斯·奧利弗,雷蒙德·馬西,安東·沃爾布魯克,埃里克·波特曼獲獎(jiǎng):1943年奧斯卡最佳劇本獎(jiǎng)介紹:二戰(zhàn)初期,一艘毀壞的潛水艇擱淺在加拿大海灣??駸岬募{粹船長(zhǎng)和他的全體船員必須抵達(dá)當(dāng)時(shí)中立的美國(guó),否則他們要被捉拿。一路上他們遇上形形色色的人物,對(duì)戰(zhàn)爭(zhēng)和愛(ài)國(guó)主義抱著各自的態(tài)度。在本片中導(dǎo)演鮑威爾和演員艾默力.皮斯伯格針對(duì)美國(guó)參加同盟國(guó)對(duì)抗納粹的原因而展現(xiàn)出他們獨(dú)特的觀點(diǎn)。