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劇情提要
;你的身體纏迷的震驚和,愛情和友情的感情,同時(shí)感受到的美,你的愛情故事。消失的戀人,神經(jīng)質(zhì)的民的精神和肉體上的震驚。有民的震驚。有一天,你的學(xué)員在遇到。前男友是外表和氣味所在地的感覺,在你的誘惑,強(qiáng)行強(qiáng)迫。這是我的震驚和接近。敏兒、解痙、鏈扭結(jié)在一起。愛情的結(jié)局到底會(huì)怎么樣呢?
暗夜精選
非凡
馬克·韋伯,露西·格里菲思,大衛(wèi)·克萊頓·羅杰斯,雷恩·威爾森他人即地獄(日影)
八村倫太郎,柳俊太郎,岡田結(jié)實(shí),三浦健人,青木さやか,大倉(cāng)空人,萩原圣人,鈴木武,星耕介,濱津隆之,日比美思,松角洋平,大野泰廣河鰻
潘綱大,柯泯薰,潘親御,鄭如吟,陳季霞,吳美和逃出食人農(nóng)場(chǎng)
Kate Marie Davies,Barrington De La Roche,David Lenik,Rowena Bentley,Toby Wynn-Davies,Peter Cosgrove,Joe Street,Dylan Curtis,Sam Lane,Jackson Wright,Kate Llewellyn,Adam J. Morgan,Tim J. Henley,Harrison Nash,Jack Miller蔗噬
喬茜·朱麗葉特·沃特,Kellan Jackson,Lacey Katena,Michael Mau,邦妮·布魯爾,Zach Ball,Ashley Nicole Blake,Haley Johnson,妮可·凱茨,Cullen Lovelock,Kevin J. Stone,Clarence Garner,貝內(nèi)特·韋爾奇,Will Landis,Cate Whitlatch捆綁上天堂
倪妮,周游,廖凡生人活祭
艾米·西米茨,凱特·林恩·希爾,喬·斯萬博格,AJ·鮑恩,Kentucker Audley同系列推薦
我能有個(gè)見證人嗎
Keira Jang,吳珊卓,里斯·普雷斯利,Elmira Bashash,喬爾·歐萊特,Zaa Nkweta,Shaz Far,Casey Kenneth Wright,森田友希,本杰明·拉特納,派崔克·蓋勒,Naika Toussaint,安德烈·安東尼,多米尼克·盧基·馬泰爾,奧斯卡·查克,裘德·威爾遜,Cassandra Sawtell,特德拉·羅杰斯,Ally Battaggia,Kymo Van Oers獵殺大行動(dòng)
亞歷克·鮑德溫,Kelly Lynch,Mary Stuart Masterson冰球小子
保羅·紐曼,斯特羅瑟·馬丁,邁克爾·昂吉恩,珍妮弗·沃倫,林賽·克洛斯,杰里·豪澤,Andrew Duncan,Jeff Carlson,Steve Carlson,David Hanson,Yvon Barrette,Allan F. Nicholls,布拉德·蘇利文,斯蒂芬·門迪洛,Yvan Ponton,馬修·考爾斯,Kathryn Walker,梅林達(dá)·狄龍,M·埃梅特·沃爾什,斯薇茲·昆茨,Ronald L. Docken,Guido Tenesi,Jean Rosario Tetreault,上天救命
曾志偉,鐘楚紅,吳耀漢,胡楓,何思嘉,秦沛,秦祥林,黃韻詩嘔吐戈?duì)?:祭祀
小前提
Sathya Sridharan,帕頓·阿什布洛克,達(dá)納·艾希布魯克幕后花絮
布袋人
本片改編自民間傳說,幾個(gè)世紀(jì)以來,在不同的文化背景下,父母都會(huì)警告他們的孩子要小心傳說中的Bagman。Bagman會(huì)把無辜的孩子抓走,塞進(jìn)那骯臟腐爛的袋子里,再也沒法回到父母身邊。Patrick McKee小時(shí)候曾逃過此劫,但這給他的生活留下了永久的創(chuàng)傷?,F(xiàn)在,Bagman又回來了,威脅著他妻子Karina和兒子Jake的安全。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster