忘八武士道

★ 7.6 播放：03萬(wàn) 更新：2026-05-04

《情色時(shí)代劇 忘八武士道》忘八者，即在吉原一代從事色情業(yè)，將;孝、悌、忠、信、禮、義、廉、恥;這為人八德拋棄、被世人看作畜牲和無(wú)賴的人。 江戶時(shí)代的劊子手明日死能（丹波哲郎 飾）為官府追趕，幸得吉原的忘八和妓女們相助，方得脫險(xiǎn)。吉原的巨頭大門四郎兵衛(wèi)（遠(yuǎn)藤辰雄 飾）賞識(shí)明日的才能，力邀其入伙，協(xié)助其剿滅吉原之外的私娼寓所，以獨(dú)霸當(dāng)?shù)厣闃I(yè)。此舉令私娼業(yè)者聞風(fēng)喪膽，為對(duì)抗大門，他們延請(qǐng)黑鍬忍者小角（內(nèi)田良平 飾）刺殺明日。雙方的戰(zhàn)爭(zhēng)一觸即發(fā) 

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劇情簡(jiǎn)介

《情色時(shí)代劇 忘八武士道》忘八者，即在吉原一代從事色情業(yè)，將;孝、悌、忠、信、禮、義、廉、恥;這為人八德拋棄、被世人看作畜牲和無(wú)賴的人。 江戶時(shí)代的劊子手明日死能（丹波哲郎 飾）為官府追趕，幸得吉原的忘八和妓女們相助，方得脫險(xiǎn)。吉原的巨頭大門四郎兵衛(wèi)（遠(yuǎn)藤辰雄 飾）賞識(shí)明日的才能，力邀其入伙，協(xié)助其剿滅吉原之外的私娼寓所，以獨(dú)霸當(dāng)?shù)厣闃I(yè)。此舉令私娼業(yè)者聞風(fēng)喪膽，為對(duì)抗大門，他們延請(qǐng)黑鍬忍者小角（內(nèi)田良平 飾）刺殺明日。雙方的戰(zhàn)爭(zhēng)一觸即發(fā) 

導(dǎo)演精選

裂口女2

　　澤田家在岐阜縣經(jīng)營(yíng)養(yǎng)雞場(chǎng)，家里有三個(gè)姐妹花。大女兒澤田幸子（川村雪繪 飾）馬上就要結(jié)婚，二女兒澤田雪枝（巖佐真悠子 飾）在美容院工作，小女兒澤田真弓（飛鳥(niǎo)凜 飾）正讀中學(xué)，生性活潑。然而，突如其來(lái)的慘劇將幸福的一家推入了深淵。雪枝過(guò)去的男朋友鈴木因?yàn)槎驶鸸バ?，想要加害雪枝，不料卻把硫酸誤潑到了真弓臉上。深受傷害的真弓從此失去了笑 容，兩個(gè)姐姐陪伴在她身邊不斷鼓勵(lì)她?！　〔痪煤?，真弓學(xué)校的同學(xué)以及畢業(yè)生接連被殺，整個(gè)街區(qū)籠罩在恐怖的陰影之中……

這就是我2026

主人公賢示自幼飽受性別認(rèn)同困擾，卻始終未放棄成為偶像的夢(mèng)想。醫(yī)生和田在與賢示相遇后，首次直面性別認(rèn)同障礙的現(xiàn)實(shí)，并以賢示為首例親自主刀的性別重置手術(shù)患者。一個(gè)選擇活出自我，一個(gè)探索“真正的醫(yī)療”，兩人在偏見(jiàn)與孤獨(dú)中建立起深厚信任與羈絆。                                                                      　　本片改編自春菜愛(ài)與和田耕治的原著，講述開(kāi)啟禁忌手術(shù)之門的真實(shí)故事。

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.