劇情縱覽
Wanda是一位精明的企業(yè)收購(gòu)者,她計(jì)劃通過性來勒索所有公司股東的股份來控制華爾街最穩(wěn)定的金融投資公司。然而Wanda的事情變得復(fù)雜起來,因?yàn)楣究偛闷刚?qǐng)了一名調(diào)查員來確定股票突然不穩(wěn)定的原因。萬達(dá)必須尋求她以前公司秘書和股票經(jīng)紀(jì)人的幫助才能實(shí)現(xiàn)她的目標(biāo)。
Wanda是一位精明的企業(yè)收購(gòu)者,她計(jì)劃通過性來勒索所有公司股東的股份來控制華爾街最穩(wěn)定的金融投資公司。然而Wanda的事情變得復(fù)雜起來,因?yàn)楣究偛闷刚?qǐng)了一名調(diào)查員來確定股票突然不穩(wěn)定的原因。萬達(dá)必須尋求她以前公司秘書和股票經(jīng)紀(jì)人的幫助才能實(shí)現(xiàn)她的目標(biāo)。
改編自《納粹與精神病醫(yī)生》,聚焦二戰(zhàn)結(jié)尾,紐倫堡法庭對(duì)德國(guó)勞工陣線領(lǐng)導(dǎo)人羅伯特·萊伊的審判(其后來在獄中自殺),以被委任來對(duì)納粹頭領(lǐng)們進(jìn)行評(píng)估的美軍精神科醫(yī)生Douglas Kelley的視角展開。
安雅負(fù)責(zé)打理馬祖里森林深處的一座豪華別墅,專門接待前來度假的富豪租客。她的下一批客人是兩對(duì)情侶:富有魅力的萊昂與美艷動(dòng)人的埃萊妮,以及憨厚的布魯諾和他相戀多年的女友瑪格達(dá)。 布魯諾認(rèn)出了安雅——八年前,安雅的妹妹莫妮卡曾是萊昂的女友,卻死于萊昂汽車炸彈爆炸事件。盡管多方作證,萊昂仍以謀殺罪僅被判入獄八年。此刻的萊昂似乎刻意忽視這場(chǎng)重逢,只顧沉溺于縱情享樂,并暗中與布魯諾謀劃一樁見不得光的加密貨幣交易:二人背著老板,將黑錢投入數(shù)字貨幣市場(chǎng),企圖在24小時(shí)內(nèi)通過幣值暴漲套現(xiàn)1000萬。 安雅同樣認(rèn)出了萊昂,渴望逃離別墅,卻又不得不留守看管財(cái)產(chǎn)。她與萊昂共飲一杯后……次日清晨竟在森林中驚醒,手中握著染血的刀。不遠(yuǎn)處河道里,她驚恐發(fā)現(xiàn)萊昂的尸體正隨水流漂浮。對(duì)于昨夜發(fā)生的一切,她毫無記憶,更不知該如何面對(duì)……
Follows a young woman whose idyllic life with her hedge funder boyfriend turns it into a deadly triangle of lust, obsession and murder after meeting a local cowboy handyman.
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.