靚妹仔 靚妹仔

★ 6.6 播放：68萬 更新：2026-04-24

靚妹仔來自一個(gè)破碎的家庭，在家中得不到父母的愛，在學(xué)校也得不到老師的理解。一次，她在舞廳中認(rèn)識(shí)一男友，他十分愛護(hù)和關(guān)懷她，令她對(duì)他產(chǎn)生傾慕。由于種種原因，靚妹仔和她的3個(gè)同學(xué)慢慢步向墮落，結(jié)果4人都有不同的收?qǐng)觯阂粋€(gè)變成癮君子；一個(gè)因失戀而向殺；一個(gè)貪玩而引火焚身；最后只剩下她自己一個(gè)人，整日只是和其他舞女爭風(fēng)吃醋。后來她雖與久別的男人重逢，但這也是他們永別的時(shí)候.

在線播放

劇情簡介

靚妹仔來自一個(gè)破碎的家庭，在家中得不到父母的愛，在學(xué)校也得不到老師的理解。一次，她在舞廳中認(rèn)識(shí)一男友，他十分愛護(hù)和關(guān)懷她，令她對(duì)他產(chǎn)生傾慕。由于種種原因，靚妹仔和她的3個(gè)同學(xué)慢慢步向墮落，結(jié)果4人都有不同的收?qǐng)觯阂粋€(gè)變成癮君子；一個(gè)因失戀而向殺；一個(gè)貪玩而引火焚身；最后只剩下她自己一個(gè)人，整日只是和其他舞女爭風(fēng)吃醋。后來她雖與久別的男人重逢，但這也是他們永別的時(shí)候.

導(dǎo)演精選

翼

 故事發(fā)生在第一次世界大戰(zhàn)期間，瑪麗（克拉拉·鮑 Clara Bow 飾）暗戀著英俊的杰克（查爾斯·巴德·羅杰斯 Charles 'Buddy' Rogers 飾），可是杰克的心思卻全部放在了大小姐西爾維婭（喬拜娜·勞斯頓 Jobyna Ralston 飾）身上，無奈西爾維婭亦有她的心上人，那就是富家子弟大衛(wèi)（理查德·阿倫 Richard Arlen 飾）。戰(zhàn)爭爆發(fā)了，大衛(wèi)和杰克投身軍隊(duì)為國家效力，在軍中，身為情敵的兩人關(guān)系漸漸緊密，之后成為了摯友。一場激烈的戰(zhàn)役中，大衛(wèi)遭遇了意外，悲痛的杰克決心為朋友報(bào)仇。然而，杰克并不知道的是，大衛(wèi)沒有死，他甚至偷到了一架敵機(jī)。正當(dāng)大衛(wèi)喜滋滋地駕駛著敵機(jī)返回營地之時(shí)，與為朋友報(bào)仇心切的杰克撞了個(gè)正著。

藏地情書

毛銘基（屈楚蕭 飾）和傅真（邱天 飾）在拉薩相遇，并和子琪（馬蘇 飾）、李?。◤垖幗?飾）、達(dá)娃（金巴 飾）結(jié)伴前往珠峰大本營。歷經(jīng)各種波折后，毛銘基和傅真二人之間產(chǎn)生了純粹且強(qiáng)烈的愛情，但兩人都未在即將結(jié)束的旅途前表達(dá)愛意，他們最終能否知曉彼此的心意？

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster