生命是個(gè)奇跡
1992年南斯拉夫內(nèi)戰(zhàn)前夕，塞爾維亞工程師盧卡（SlavkoStimac飾）為了修建一條旅游線(xiàn)路，帶著癡迷歌劇的老婆嘉德蘭卡（VesnaTrivalic飾）和夢(mèng)想成為足球運(yùn)動(dòng)員的兒子米羅（VukKostic飾）來(lái)到波斯尼亞地區(qū)的山上安營(yíng)扎寨。盧卡不去理會(huì)妻子的抱怨和戰(zhàn)爭(zhēng)的傳聞，一心投入線(xiàn)路的設(shè)計(jì)中。不久，戰(zhàn)爭(zhēng)爆發(fā)，米羅應(yīng)征入伍，而嘉德蘭卡也不堪忍受鄉(xiāng)間的生活與情人私奔，失意的盧卡在隆隆炮火中等待著妻兒的歸來(lái)。偶然機(jī)會(huì)，盧卡從士兵手中救下穆族女子撒巴哈（NatasaSolak飾）。原本打算將其作為交換被俘虜?shù)膬鹤拥捻来a，但盧卡卻漸漸與撒巴哈產(chǎn)生了感情本片榮獲2004年戛納國(guó)際電影節(jié)法國(guó)國(guó)家教育系統(tǒng)電影獎(jiǎng)金、2005年凱撒電影節(jié)歐盟最佳影片獎(jiǎng)。
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劇情簡(jiǎn)介
1992年南斯拉夫內(nèi)戰(zhàn)前夕，塞爾維亞工程師盧卡（SlavkoStimac飾）為了修建一條旅游線(xiàn)路，帶著癡迷歌劇的老婆嘉德蘭卡（VesnaTrivalic飾）和夢(mèng)想成為足球運(yùn)動(dòng)員的兒子米羅（VukKostic飾）來(lái)到波斯尼亞地區(qū)的山上安營(yíng)扎寨。盧卡不去理會(huì)妻子的抱怨和戰(zhàn)爭(zhēng)的傳聞，一心投入線(xiàn)路的設(shè)計(jì)中。不久，戰(zhàn)爭(zhēng)爆發(fā)，米羅應(yīng)征入伍，而嘉德蘭卡也不堪忍受鄉(xiāng)間的生活與情人私奔，失意的盧卡在隆隆炮火中等待著妻兒的歸來(lái)。偶然機(jī)會(huì)，盧卡從士兵手中救下穆族女子撒巴哈（NatasaSolak飾）。原本打算將其作為交換被俘虜?shù)膬鹤拥捻来a，但盧卡卻漸漸與撒巴哈產(chǎn)生了感情本片榮獲2004年戛納國(guó)際電影節(jié)法國(guó)國(guó)家教育系統(tǒng)電影獎(jiǎng)金、2005年凱撒電影節(jié)歐盟最佳影片獎(jiǎng)。
導(dǎo)演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
這個(gè)阿爸真爆炸
任慕英（梁家輝 飾）是一個(gè)單親爸爸，以教授鋼琴來(lái)?yè)狃B(yǎng)女兒Ellen（蔡卓妍 飾）長(zhǎng)大。可是女兒升上Band 5后就變得越來(lái)越不聽(tīng)話(huà)，令任慕英十分擔(dān)心。Ellen一直覺(jué)得爸爸十分“娘娘腔”，覺(jué)得自己就算有什么麻煩，爸爸也是不可靠的人。Ellen的同學(xué)都誤會(huì)了她的爸爸是個(gè)江湖高手——慕夜飛鷹，相繼要求拜為師傅，此時(shí)Ellen才對(duì)爸爸改觀。但任慕英被誤以為是絕招的身手，不過(guò)是在照顧女兒的時(shí)候練出來(lái)的?！ ∨畠洪_(kāi)始覺(jué)得爸爸老了，可她還是到處惹禍，更被慕夜飛鷹的仇家脅持，任慕英為了救回女兒，獨(dú)自女兒被困的地方……
浴血蔣家河口
蔣家河口戰(zhàn)役打響了新四軍抗戰(zhàn)的第一槍?zhuān)彩切滤能娡M(jìn)敵后打伏擊的第一仗。此役以少克眾，以弱勝?gòu)?qiáng)，孤軍深入，出奇制勝，給了囂張跋扈、不可一世的日本侵略者一個(gè)結(jié)結(jié)實(shí)實(shí)的下馬威，極大地鼓舞了中國(guó)軍民的抗戰(zhàn)斗