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惡魔們
張東潤(rùn),吳代煥,崔奎華,張?jiān)钻?孫鐘學(xué),申承煥,尹炳熙馬路天使
珍妮·蓋諾,查爾斯·法萊爾,娜塔莉·金斯頓,亨利·阿爾梅塔,圭多·特倫托,阿爾貝托·拉巴利亞蒂,路易斯·利格特,彌爾頓·迪克森午夜場(chǎng)
范夢(mèng),馮言彥,鄧先宇,歷家兵,李子雄邪惡護(hù)士2
蒼井空,Ricky Harun,Zidni Adam捍衛(wèi)機(jī)密
基努·里維斯,迪娜·邁耶,北野武驚聲尖叫7
內(nèi)芙·坎貝爾,伊莎貝爾·梅,柯特妮·考克斯,梅森·古丁,賈思敏·薩沃伊·布朗,大衛(wèi)·阿奎特,馬修·里沃德,斯科特·弗利,塞萊斯特·奧康納,阿薩·格爾曼,麥肯娜·格瑞絲,薩姆·雷希納,米歇爾·蘭道夫,吉米·塔特羅,安娜·坎普,喬爾·麥克哈爾,馬克·康蘇斯,伊?!ざ鞑祭?維克托·特平,Scott Allen Frederick,艾米·彭伯頓,Josh Thrower,Cyle Winters,羅格·杰克遜同類推薦
凌晨是神的時(shí)間
日南響子,飛鳥凜,藤本七海據(jù)日本警方統(tǒng)計(jì),每年僅提交申請(qǐng)的失蹤人口就達(dá)10萬(wàn)人,其中9萬(wàn)人的行蹤可疑確認(rèn),但仍有1萬(wàn)人下落不明。位于遠(yuǎn)郊的一座深山叢林,似乎具有著強(qiáng)烈的魔性,無(wú)數(shù)人進(jìn)入這里,從此消失無(wú)蹤。少女繭(日南響子 飾)偶然和父親目擊一輛綁架了少女的車,父女倆一路追蹤,走上了不歸之途;家庭主婦真奈(桐島れいか 飾)十年前曾在林中丟失長(zhǎng)女,如今他的小女兒阿櫻離家上學(xué)后也一去不返;正在拍攝恐怖電影的新人女演員麗奈(飛鳥凜 飾)結(jié)束工作后,不得不穿越那座恐怖的森林,其中的景象與聲音令她戰(zhàn)栗不已;小女孩薰(藤本七海 飾)受托照顧?quán)徏业暮⒆樱墒撬齾s遭遇了一個(gè)恐怖的人形。 不同的人,不同的故事,同樣的恐怖……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
星際叛將:歐西里斯之子
凱南·魯茲,丹尼爾·麥克弗森,伊莎貝爾·盧卡斯,盧克·福特,瑞切爾·格里菲斯,特穆拉·莫里森,布倫·福斯特,杜文·史蒂文森,蒂根·克羅夫特,黃芝琪,費(fèi)拉斯·迪拉尼,哈里·帕夫利迪斯,保羅·溫徹斯特,佐伊·文圖拉,布倫丹·克萊金故事背景設(shè)定在星際殖民的未來(lái)時(shí)代,神秘的漂泊者賽(凱南魯茲飾)遇見(jiàn)了為地球外軍事承包商艾克索工作的中尉肯恩(丹尼爾麥佛森飾),這對(duì)背景南轅北轍的搭檔,必須在艾索克掀起的星球危機(jī)中,同心協(xié)力救出肯恩的小女兒,而為了理念背叛神通廣大的艾索克的兩人,除了必須面對(duì)天羅地網(wǎng)般的追捕,還得戰(zhàn)勝游蕩在荒蕪星球上的野蠻生物。
手遮天
劉峰超,袁福福,淳于珊珊底層捕快薛不疑(劉峰超 飾)因不諳世故遭同僚排擠,憋屈十年。一樁賑災(zāi)銀盜竊案他淪為替罪羊。絕境中,他受老師黃士寧(淳于珊珊 飾)搭救,與師弟李震(袁福福 飾)再度合作,然而錢外有錢官外有官,他被迫成為高官手中的“犬牙”……在這黑暗世道,他是會(huì)選擇做一只聽(tīng)話的鷹犬,還是掙脫這巨 手成為啄天之鷹?
父影之下
索佩·迪瑞蘇,Godwin Egbo,Chibuike Marvelous Egbo,Efòn Wini,Tosin Adeyemi,Adesina McCoy Babalola,Lawrence Chu,Yetunde Coker,Akerele David,瓦萊·戴維斯,Patrick Diabuah,Paul Edobor,瑪莎·厄赫諾梅,Adodo Emmanuel,Patrick Essien,Olarotimi Fakunle,Ikechukwu Gabriel,Fred Ideh,Ebuka雷米與阿金這對(duì)小哥倆,終得與疏離多年的父親弗拉林共享難得一日。三人游走在初次相見(jiàn)的巨型都市拉各斯,少年窺見(jiàn)鋼筋森林的奇觀,亦目睹父親謀生路上的重重難關(guān)。此刻整座城市正籠罩在1993年總統(tǒng)大選結(jié)果的巨大陰云之下,而父子三人的歸家之路,竟也成了選票漩渦中飄搖的未知數(shù)。