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劇情簡介
處男高中生丘田在學(xué)校常常被同學(xué)霸凌,他為了報復(fù)而召喚出性感的實習(xí)惡魔「瑟蕾」,瑟蕾必須實現(xiàn)人類的願望來完成她的實習(xí)課業(yè),而實現(xiàn)願望的代價是那個人類會失去他最重視的寶物。丘田許願能跟暗戀已久的同學(xué)愛美約會,瑟蕾想盡辦法實現(xiàn)丘田的願望,卻發(fā)現(xiàn)自己漸漸被笨拙的丘田吸引…。
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好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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見證喬和阿農(nóng)之間的深厚紐帶,這種紐帶在許多世和轉(zhuǎn)世中都是持久的。