善良的妻子
Taejoon（李相勛）和SEO妍（公園敏京）把自己生活的城市，開始在一個寧靜的鄉(xiāng)村。Taejoon還學(xué)習(xí)如何農(nóng)場，他沒有幾年的水果豐收。他被強(qiáng)調(diào)和責(zé)備的土壤。SEO賢建議他們開始分享房子來減輕自己的壓力。他們請了一個新的家庭為他們的房子為“分享”，Hwai（LeeJaeun）。她是一個小說家，她寫她與另一個男人的經(jīng)驗。她與Taejoon在過去的一個事件。她恨他還是愛他，無法超越他，所以她一路走下去。她接管這曾經(jīng)是Taejoon和徐鉉的空房子。懷的壓力，Taejoon和被他引誘SEO鉉的木工老師Jae邊（KimSeonhyeok）。Hwai搖了SEO賢試圖讓Taejoon她而SEO賢努力保護(hù)她的家庭。
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王牌保鏢2
瑞安·雷諾茲,塞繆爾·杰克遜,薩爾瑪·海耶克,弗蘭克·格里羅,理查德·E·格蘭特,安東尼奧·班德拉斯,摩根·弗里曼,斯圖爾特·亞歷山大,早乙女津和雪,麗貝卡·弗朗特,諾杰·赫拉爾,邁克爾·戈爾,喬治·格倫,巴里·阿茨瑪,蒂內(nèi)·朱斯特拉,加里·奧德曼,瑪麗安娜·維基爾斯卡,布萊恩·卡斯佩,丹柯·約爾丹諾夫,西蒙·安德魯,塞爾吉奧·托里科,布萊克·瑞特森,湯姆·霍珀,加布里埃拉·賴特,卡羅琳·古多爾,愛麗絲·麥克米蘭,伊萬·朱里奇,米爾托斯·耶羅勒曼,帕特里克·休斯,德拉甘·米恰諾維奇,托米·梅,喬納斯·塔金派對浪客孔明 THE MOVIE
向井理,上白石萌歌,藤岡靛,森山未來,神尾楓珠,詩羽,菅原小春,八木莉可子,宮世琉彌,森崎溫,石野理子,石崎Huwie,和田理生,本間朋晃,真壁刀義,長岡亮介,薔薇園啊嗚,菊地凜子,和田聰宏走出叢林
布里姬特·霍博梅爾,Sarah Zaharanski絕種鐵金剛
梁家輝,毛舜筠,陳小春,鐘欣潼,陳冠希,田樸珺猛虎末路
勞倫斯·魯波,大衛(wèi)·舒特,塞巴斯蒂安·烏澤多夫斯基,安德烈·赫尼克,阿爾恩特·施韋林·索瑞,倫納德·昆茲,Tilman Strauss,Yoran Leicher等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾同類推薦
貘之歌
四個背景經(jīng)歷各不相同的年輕人在北京的一個出租屋里喝酒，但因為想法不一，互相有一些矛盾然后打了一架，警察介入，之后結(jié)束。
冰風(fēng)暴
凱文·克萊恩,瓊·艾倫,西格妮·韋弗,亨利·科澤尼,托比·馬奎爾,克里斯蒂娜·里奇,伊利亞·伍德,亞當(dāng)·漢拜德,大衛(wèi)·克朗姆霍茨,杰米·謝爾丹,凱特·伯頓,威廉·凱恩,邁克爾·昆普斯蒂,瑪雅·丹齊格,凱蒂·霍爾姆斯,艾莉森·詹尼1973年美國康涅狄格州，感恩節(jié)快要到來，一場冰風(fēng)暴也即將到來。平凡乏味的家庭生活使中年夫妻厭倦，丈夫本?胡德（凱文?克萊恩飾）一直在引誘鄰居珍妮特?哈珀，而妻子（瓊?艾倫飾）對丈夫的謊言也早已不耐煩了。兒子保羅（托比?馬奎爾飾）迷戀著學(xué)校里最有人緣的那位女生。女兒溫迪（克里斯蒂娜?里奇）興趣于電視里的水門事件聽證會。 冰風(fēng)暴的夜晚，夫妻兩個去朋友家參加一個雞尾酒會，雞尾酒會的一個重要內(nèi)容是進(jìn)行換房間鑰匙的游戲。在酒會結(jié)束后，每個妻子都可以和別家男人結(jié)成新歡。而他們兒子則趕去面對一場誘惑與考驗，女兒正陶醉在同鄰家男孩子的性游戲中……
發(fā)財秘笈
李美鳳,鄭文雅,楊寶玲,黃百鳴,黃秋生黃尚（黃百鳴 飾）是一個其貌不揚的小小上班族，來到了車水馬龍人頭攢動的香港，心里滿懷希望的他決定要在此干出一番大事業(yè)。在香港，黃尚結(jié)識了三位各具風(fēng)情的美女——個性溫柔賢良淑德的亞萍（楊寶玲 飾）、風(fēng)情萬種熱情奔放的露露（李美鳳 飾）和高貴冷艷霸氣外露的珍妮（鄭文雅 飾） ，每一個人都讓黃尚心動不已。 一次偶然中，黃尚撿到了一本《發(fā)財秘笈》，半信半疑的他按照書中所寫待人處事，果然沒過多久便升官發(fā)財。發(fā)達(dá)之后的黃尚先是得到了露露的芳心，之后又利用手段逼迫珍妮同自己結(jié)婚，一番折騰之后，一場超現(xiàn)實的奇遇卻讓黃尚開始思考，這樣的生活真的是自己想要的嗎？
偶像活動！×美妙天堂 THE MOVIE -相遇的奇跡！-
下地紫野,茜屋日海夏《10周年記念！》 大人気アイドル 奇跡のコラボレーション!! “10年分の愛”と“10年分のありがとう”をいっぱいに詰め込んだ、夢のプロジェクト始動！ 新作ストーリー＆新作ライブの完全オリジナル映畫
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.