愛(ài)上姑媽是不是一種罪

★ 4.7 播放：87萬(wàn) 更新：2026-04-24

別名: Me tin theia den einai amartia由意大利重量級(jí)美女影星瑪麗娜 middot;海德曼領(lǐng)銜影片，大概內(nèi)容為端莊美麗的故事女主人翁[瑪麗娜 海德曼]從大城市會(huì)鄉(xiāng)下小鎮(zhèn)拜祭英年早逝的弟弟，順便看望多年守寡的弟媳[安東內(nèi)拉安蒂諾里]和侄兒，在在此期間侄兒漸漸的對(duì)姑姑的熱情大方與美麗而產(chǎn)生了好感，而發(fā)生了多種有趣的事情 　

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別名: Me tin theia den einai amartia由意大利重量級(jí)美女影星瑪麗娜 middot;海德曼領(lǐng)銜影片，大概內(nèi)容為端莊美麗的故事女主人翁[瑪麗娜 海德曼]從大城市會(huì)鄉(xiāng)下小鎮(zhèn)拜祭英年早逝的弟弟，順便看望多年守寡的弟媳[安東內(nèi)拉安蒂諾里]和侄兒，在在此期間侄兒漸漸的對(duì)姑姑的熱情大方與美麗而產(chǎn)生了好感，而發(fā)生了多種有趣的事情 　

導(dǎo)演精選

讓她走

　　《尸控網(wǎng)路》寇帝卡拉漢執(zhí)導(dǎo)，2016多倫多暗夜恐怖電影節(jié)丶2016倫敦恐怖電影節(jié)?！蹲兿x(chóng)人》《鬼水魔咒》制片團(tuán)隊(duì)挖掘「消失的雙胞胎」現(xiàn)象之謎。面對(duì)自我邪惡雙生的另一面，你該任其操控，或是奮力抵抗？

煉獄校園

　　一名美國(guó)青少女在學(xué)校慘遭霸凌，回?fù)舻暮蠊麉s是被送到感化學(xué)校，不過(guò)這所「學(xué)校」實(shí)則更像一座監(jiān)獄，她必須奮力抵抗心懷不軌的警衛(wèi)和虎視眈眈的幫派，在這片龍蛇混雜之地殺出自己的生存之道……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.