情迷小男人

評分:1.2 播放:80萬 更新:2026-04-28

安德拉什瓦爾達成長在動蕩,戰(zhàn)亂的匈牙利,在那里,他促使當?shù)嘏檎碱I(lǐng)胃腸道的二戰(zhàn)期間。他的年齡的女孩感到失望,他遇到了瑪雅人,一個已婚婦女在她三十多歲,誰輔導他的愛情和浪漫的教訓?,斞湃酥皇潜姸喑蓅hu女性的:第一,安德拉什將通過他的十幾歲的青少年和大人生活滿足。   

劇情簡介

安德拉什瓦爾達成長在動蕩,戰(zhàn)亂的匈牙利,在那里,他促使當?shù)嘏檎碱I(lǐng)胃腸道的二戰(zhàn)期間。他的年齡的女孩感到失望,他遇到了瑪雅人,一個已婚婦女在她三十多歲,誰輔導他的愛情和浪漫的教訓?,斞湃酥皇潜姸喑蓅hu女性的:第一,安德拉什將通過他的十幾歲的青少年和大人生活滿足。   

為你推薦

我的秘密圣誕老人

麥迪遜·麥克伊薩克,瑞安·艾戈爾德,亞利桑德拉·布萊肯瑞吉,蒂亞·莫里,Andy Magee,亞當·博謝納,杰登·歐尼亞,威廉·C·沃恩,巴里·W·萊威,Katie Stone,布列塔尼·霍布森,Cam Woodman,凱拉·哈瑟斯,Piper Dacosta

  一位單身母親需要工作,一個滑雪度假村需要圣誕老人。泰勒假扮成圣誕老人,她能否騙過迷人的酒店繼承人,拿到這份工作?

失真的畫

威廉·達福,斯科特·斯比德曼,彼得·斯特曼,克里·杜瓦爾,Samantha MacIvor

  五年前,一系列模仿名畫場景的連環(huán)殺人案轟動紐約城,警探斯坦(Willem Dafoe 飾)受命調(diào)查此案,然而卻遲遲沒有進展,令其飽受輿論壓力。斯坦以少女克莉斯特(Samantha MacIvor 飾)作誘餌吸引兇手,雖然成功擊斃嫌疑犯艾迪,卻也導致克莉斯特慘遭殺害?! “弦话甘顾固沟玫骄鸺为劊樌?,不過他的心中始終對遇害少女懷有愧疚,并且此案背后似乎另有隱情。心中承受巨大內(nèi)疚之情的斯坦沉溺酒精,愈加孤僻。五年后,類似案件再次出現(xiàn),兇手似乎有意以斯坦為目標發(fā)出赤裸裸的挑戰(zhàn)。斯坦不僅要面對這個狡猾且智商極高的對手,更要面對長久以來困擾自己的心魔……

壞媽媽

米拉·庫尼斯,凱瑟琳·哈恩,克里斯汀·貝爾,克里斯蒂娜·艾伯蓋特,賈達·萍克·史密斯,安妮·瑪莫羅,烏娜·勞倫斯,恩杰伊·安東尼,大衛(wèi)·瓦爾頓,克拉克·杜克,杰伊·埃爾南德斯,維德爾·皮爾斯,莉亞·麥肯德里克,梅根·弗格森,萊爾·布羅卡托,旺達·塞克絲,凱德·曼斯菲爾德·庫克西,J·J·瓦特,安·馬奧尼,薩曼莎·博利厄,唐娜·杜普蘭提爾,克莉絲緹娜·德蘿莎,揚·費爾德曼,杰倫·摩爾

  所有人都以為,艾米(米拉·庫妮絲 Mila Kunis 飾)擁有著幸福美滿的婚姻生活——恩愛的丈夫,乖巧的孩子,優(yōu)渥的生活條件,但只有艾米自己知道,為了維系這看似光鮮的表象,她的內(nèi)心早已經(jīng)精疲力盡。丈夫把所有的家務(wù)事都一股腦的甩在她的頭上,在處理這些瑣事的同時,艾米還必須兼顧著去討好她周圍其他的媽媽們?! 〗K于有一天,艾米再也受不了她的生活了,她離開了家庭,拋棄了丈夫和孩子,帶著閨蜜琪琪(克里斯汀·貝爾 Kristen Bell 飾)和卡拉(凱瑟琳·哈恩 Kathryn Hahn 飾),兩名同樣受到生活瘋狂壓榨的家庭主婦,三人踏上了一條瘋狂的狂歡之路。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

奪命微笑2

娜奧米·斯科特,凱爾·加爾納,德魯·巴里摩爾,羅絲瑪麗·德薇特,盧卡斯·蓋奇,迪蘭·格魯拉,彼得·雅各布森,雷·尼科爾森,勞爾·卡斯提洛,達芙妮·澤利,邁爾斯·古鐵雷斯-賴利,Zebedee Row,Delphi Harrington,Micaela Lamas,David Peter White

  一位女歌手在目睹其一位歌迷詭異自盡后,身邊開始出現(xiàn)各種奇怪的微笑現(xiàn)象,其歌迷紛紛精神失常,開始瘋狂地微笑,對女歌手窮追不舍。

金發(fā)

巖田剛典,白鳥玉季,門脅麥,山田真步,田村健太郎,內(nèi)田慈

本作の主人公は、大人になりきれない30歳の公立中學校教師?市川。彼が擔任を受け持つクラスの生徒數(shù)十人が校則への抗議として髪を金色に染めて登校し、學校中が大騒ぎになるさまが描かれる。

超級黑暗時代

歐文·坎貝爾,查理·塔漢,伊麗莎白·卡布奇諾,馬克斯·塔利斯曼,索耶·巴斯,艾米·哈格里夫斯,安德亞·雷諾克斯,Ethan Botwick,Philip H. Ashley,Justin Rose,Kortnee Rumph,Samantha Jones,Anni Krueger,Jeffrey Alan Solomon,Carl Arcilesi

  故事發(fā)生在上世紀90年代的一個美國小鎮(zhèn)上。扎克和喬西從童年時就是最好的朋友,他們每天一起騎車上下學,放學后一起玩耍,甚至喜歡上同一個女孩。然而平靜的生活在某天下午被徹底打破了。聚會因大麻而失控,朋友達里爾在教室里失血過多身亡,男孩們恐慌無措地要彼此發(fā)誓保密,扎克簡單的生活仿佛被撕開了一道巨大的口子,整日被罪惡感壓迫地喘不過氣,喬西則索性不再上學,甚至不再走出家門一步。曾經(jīng)密不可分的兩個男孩在數(shù)日后便產(chǎn)生了不可逾越的鴻溝……