劇情縱覽
父母把妓女貞花(李知恩飾)收留在家,并讓她在家接客,這樣的舉動(dòng)讓慧美(李惠恩飾)十分不滿,對貞花更是充滿了敵意。一次,她跟蹤貞花,看到她在燈塔上交易的樣子,那樣的唯美使慧美頓時(shí)對貞花改觀,對她的工作重新認(rèn)識。一天晚上,慧美竟然代替了貞花與客人交易。
父母把妓女貞花(李知恩飾)收留在家,并讓她在家接客,這樣的舉動(dòng)讓慧美(李惠恩飾)十分不滿,對貞花更是充滿了敵意。一次,她跟蹤貞花,看到她在燈塔上交易的樣子,那樣的唯美使慧美頓時(shí)對貞花改觀,對她的工作重新認(rèn)識。一天晚上,慧美竟然代替了貞花與客人交易。
堪薩斯的農(nóng)民威廉(克林特·伊斯特伍德 Clint Eastwood )年輕時(shí)曾是出名的殺手和劫匪,然而當(dāng)遇上了克勞迪亞后,他的生活開始徹底改變。威廉和克勞迪亞結(jié)婚生子后,洗手不干,一家人過著幸福的生活。好景不長,克勞迪亞不久故去,威廉獨(dú)立帶著兩個(gè)孩子過著清貧寧靜的生活?! ∵@時(shí),該地區(qū)發(fā)生了一起牛仔醉酒毆打妓女并將其毀容的惡性事件,壞蛋警長達(dá)格特(吉恩·哈克曼 Gene Hackman 飾)只將此事草草了結(jié),兇手仍逍遙法外。當(dāng)?shù)丶伺娂娋桢X,要求懸紅1000美金請殺手來伸張正義?!八伎品茽柕滦∽印闭业酵?,要求合伙干這票買賣。為了給孩子們一個(gè)幸福富足的家庭,威廉終于答應(yīng)再次出山。
A portrait of actress Eleonora Duse.
Story follows an out-of-work steel worker as he struggles to provide for his family and avenge his brother's death by fighting in a mixed martial-arts match against a dangerous opponent.
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster