女愛(ài)人/布盧明頓
英文名Bloomingtonloomington是一個(gè)年齡約前兒童actressattending搜索獨(dú)立學(xué)院戲劇誰(shuí)結(jié)束becomingromantically的參與與一名女教授。直到他們的relationshipthrives機(jī)會(huì)回到她改變決定makelife作用力。成龍KIRK，22歲的前電視childactress的到達(dá)中西部一路從加州。她的IsReady探索新的選擇和運(yùn)動(dòng)感的獨(dú)立性thathad迄今一直缺乏在她的生活中。她最大的愿望就是混合inwith她的同齡人被證明是困難的時(shí)期，作為她調(diào)遣theendless的游行26日，海王星的popularsci-fi顯示她曾經(jīng)的一部分盯著問(wèn)題。成龍不曾遠(yuǎn)離herfamily的演出結(jié)束以來(lái)前四年。雖然她notexactly接近她的父母，獨(dú)處首次isnonetheless壓倒性的經(jīng)驗(yàn)。在apsychology部門攪拌機(jī)成龍符合一個(gè)mysteriousteacher凱瑟琳斯塔克，在她三十出頭，一個(gè)臭名昭著的淑女殺手reputation.In的警告，盡管她從其他學(xué)生，成龍瀑布的forCatherines魅力和兩個(gè)外人開(kāi)始瞬間intenserelationship的。通過(guò)schoolyear的過(guò)程中，他們的債券變得更加強(qiáng)大，更多的個(gè)人，直到突然面臨著解散hernow電視節(jié)目故事片版本試鏡機(jī)會(huì)Jackieis。該前景試圖卷土重來(lái)施行本科生超演藝事業(yè)競(jìng)爭(zhēng)激烈的世界是在第一令人生畏toJackie但經(jīng)過(guò)深刻反省她決定接受thechallenge的。有了自信續(xù)期了一些新insightsshe的拿起她的心理研究禮貌，成龍決定給所有何去何從，爭(zhēng)取收回她的老角色。然而，她可能回到聚光燈下迅速變成生命lessonof其自己的學(xué)生和老師。凱瑟琳發(fā)現(xiàn)，herillicit行為，一旦大多被忽視，現(xiàn)在吸引unwantedattention的，因此把她的工作安全處于危險(xiǎn)之中。作為forJackie，她發(fā)現(xiàn)，發(fā)現(xiàn)她的生活激情和圖表軟禁當(dāng)然也可能意味著不必說(shuō)再見(jiàn)，她的第一個(gè)真正的愛(ài)情。
在線看
同款熱播
復(fù)仇雙雄
奧馬爾·查帕羅,亞利桑德羅·斯佩特澤爾,葆拉·努涅斯,娜塔莉亞·索利安,路易斯·阿伯提,Vasil Simeonov,伊阿祖婭·拉里奧斯,Lizeth Selene,古斯塔沃·桑切斯·帕拉,Ana Carrillo,Gaudi Chris,José Salof故事圍繞墨西哥特種部隊(duì)精英卡洛斯（綽號(hào)“公牛”）展開(kāi)，他在一次任務(wù)中成功抓獲了犯罪集團(tuán)頭目，卻因此遭到報(bào)復(fù)，妻子在他面前被殘忍殺害，自己也淪為通緝犯。走投無(wú)路之際，他意外中了彩票頭獎(jiǎng)，一夜之間擁有了復(fù)仇的資本。他與摯友、戰(zhàn)友米格爾聯(lián)手，將全部財(cái)富轉(zhuǎn)化為武器和情報(bào)，從被通緝的逃犯，變成了以暴制暴的“復(fù)仇獵人”，目標(biāo)是讓所有參與殺害他妻子的人，付出最慘痛的代價(jià)。
喋血密令
李琦,馬心怡,徐箭,孫學(xué)增,來(lái)鈺明正德年間，禁衛(wèi)百戶耿烈因欽差被殺貶為捕頭。此時(shí)寧昌府發(fā)生連串命案，波及寧王壽宴，耿烈奉命追查。為寧王獻(xiàn)畫(huà)富商被毒殺，刺殺欽差的女殺手再次出現(xiàn)，這一切讓耿烈意識(shí)到寧昌府醞釀的風(fēng)暴，將會(huì)改變大明的朝局。
我們很危險(xiǎn)
埃拉娜·詹姆斯,瑞瑪·特·維塔,Nathalie Morris西南偏南電影節(jié)劇情片競(jìng)賽。 Nellie and Daisy attempt to escape the institution for delinquent girls in 1954 New Zealand, however not only are they caught, it triggers a relocation to a facility on a remote island. The duo become a trio as well-to-do Lou joins them, and life on the island takes shape under the command of devout Matron. The trio rail against the system, dubious of the benevolence of the bible and taking refuge in their blossoming friendship. It’s hard to reform girls who don’t believe they need reforming. However, a sense of doom settles in when experimental forms of punishment take place in the dead of night. Nellie and Daisy plot rebellion, but unexpectedly find themselves at odds with Lou, who is afraid to break the rules.
筆仙大戰(zhàn)貞子2
奚美麗,云翔,朱婭,王宇凝,林奕婧《筆仙大戰(zhàn)貞子2》講述了美術(shù)學(xué)院學(xué)生夏柚（奚美麗飾），在與“姐妹團(tuán)”佩潔（朱婭飾）、小依（王宇凝飾）、雯雯（林奕婧飾）聚會(huì)時(shí)候玩起了通靈游戲，陰差陽(yáng)錯(cuò)之下招致了貞子的出現(xiàn)，伴隨而來(lái)的還有噩夢(mèng)和殺戮。被逼無(wú)奈之下，姐妹團(tuán)決定召喚筆仙，一場(chǎng)中日鬼王之間的惡戰(zhàn)再次掀起。
火狐
克林特·伊斯特伍德,弗雷迪·瓊斯,大衛(wèi)·赫夫曼蘇聯(lián)在1982年開(kāi)發(fā)了米格31噴氣機(jī)時(shí)，全世界大為驚恐，唯一對(duì)策只有盜取這架超性能之飛機(jī)，而有能力擔(dān)任此任務(wù)的就只有越戰(zhàn)空中英雄甘德，甘德終于被說(shuō)服由退休生涯中復(fù)出，接受一連串的特種訓(xùn)練后，前往俄國(guó)并與俄國(guó)特務(wù)數(shù)次交手，展開(kāi)一場(chǎng)驚心動(dòng)魄的激烈空戰(zhàn)……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster