劇情簡介
與他的妻子, 大廳的母親, 和我的一個朋友, 誰住在刷子, 有很長一段時間的會見, 并要求他給他片刻。庾奇的出現(xiàn)使人懷疑隱藏在秘密中的東西。在他工作的日子里, 他的母親和妻子的黑色愿望出現(xiàn)了..。
為你推薦
維克多·弗蘭肯斯坦
詹姆斯·麥卡沃伊,丹尼爾·雷德克里夫,杰西卡·布朗·芬德利,安德魯·斯科特,馬克·加蒂斯,露易絲·布瑞麗,丹尼爾·梅斯,弗萊迪·福克斯,布隆森·韋伯,埃利斯戴爾·皮特里,斯賓塞·懷爾丁,卡勒姆·特納正駐扎于倫敦的馬戲團內(nèi),生活著自幼駝背的青年(丹尼爾·雷德克里夫 Daniel Radcliffe 飾)。他的丑樣子只能供人家取樂,而青年獨獨熱愛醫(yī)學,尤其擅長解剖學。在某次演出事故中,青年用自己的學識救下了摔成骨折命懸一線的女演員羅蕾萊(杰西卡·布朗·芬德利 Jessica Brown Findlay 飾)。他的學問得到瘋狂科學家維克多·弗蘭肯斯坦(詹姆斯·麥卡沃伊 James McAvoy 飾)的賞識,于是后者想方設(shè)法將其劫了出來,還為其起名伊戈爾。在此之前,弗蘭肯斯坦曾經(jīng)做出盜取動物園死亡動物尸體的事情,而他這一系列的做法只為進行一項瘋狂大膽的實驗,那就是縫縫補補創(chuàng)造出來人造的生物?! ’偪裰镁痛苏归_……
彼得·潘的夢幻島噩夢
彼得·德索薩 Peter DeSouza-Feighoney,馬丁·波特洛克,Megan Placito,尼古拉斯·伍德,凱利斯頓·韋勒英,Chrissie Wunna,珍妮·米勒,凱莉·里安·桑松,Amanda Jane Cooper,亞當·斯皮爾斯,Charlotte Jackson,Kat Green溫蒂為了救回被擄走的弟弟麥可,不惜踏入「邪惡彼得潘」的血腥煉獄。她在那里還遇見了被毒品腐蝕、形容枯槁的小叮當。溫蒂將要面對的不僅僅是扭曲的童話,還有那令人窒息的恐怖真相。
趣塔德莊園
戴米恩·路易斯,凱瑟琳·沃特斯頓,托馬辛·麥肯齊,本·拉德克利夫,湯姆·費爾頓,艾瑪·萊爾德,李·布羅德曼,湯姆·古德曼-希爾,吉米·卡爾,莉莉·奈特,亞當·伍德沃德,查理·羅爾斯,盧卡斯·凱利,內(nèi)森·霍爾,亞歷山大·巴特勒,莉茲·霍普利,艾琳·奧斯汀,瑪格達萊娜·斯維蘭德,杰瑪·瓦德爾,勞瑞·奧格登Fackham Hall 對傳統(tǒng)的時期劇如《唐頓莊園》和《高斯福德莊園》進行戲謔。這部作品被形容為“延續(xù)了《裸槍》系列和《空前絕后滿天飛》等經(jīng)典笑料不斷的惡搞喜劇的傳統(tǒng)”?! ≠M恩斯·提芬將飾演一名新來的搬運工,他與英國一個顯赫家族的小女兒(麥肯齊)展開了一段出人意料的關(guān)系。同時,達文波特家族內(nèi)部矛盾不斷爆發(fā),由達文波特勛爵和勛爵夫人(沃特斯頓)領(lǐng)導(dǎo)的家族還要面對長女(萊爾德)和她不靠譜的堂弟婚禮慘敗的巨大尷尬。
雉岳山
尹均相,金叡園,延濟旭,裴格林Five members of the mountain bike club, Sangaja. To ride a mountain bike, we head to Chiaksan Mountain, where Min-joon's Uncle villa is located. After arriving at Chiaksan Mountain and enjoying the ride, strange things began to happen to the party…. And something unidentified chasing them! A desperate survival game for Sangaja's party to survive on Chiaksan Mountain begins.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
沖動2023
瑪麗亞·露可安諾娃,杰拉·奇塔瓦,Daro Akimidze,Koba Akimidze,Aleksandr Cherednik,Christina Chernyavskaya,Anna Grigoryeva,Ivan Ivashov,Dmitry Khalileyev,Issa Khasatsov,斯塔亞·科莫里基-格蘭科夫斯卡亞,Dmitry Khromyh,Islam Kurukov,克塞妮婭·庫捷波娃,Albert Misirov,Anna Mustina,Nikolay Orlovskiy,卡里一位內(nèi)向的俄羅斯父親和十幾歲的女兒住在一輛面包車里。面包車裝著他們的全部生活,包括一套電影放映設(shè)備。那是他們微薄收入的來源。這對無名的父女從南到北,在他們廣闊國家的極端氣候中漫游。
特工迷陣
杰森·莫瑪,戴夫·巴蒂斯塔,莫蕾娜·巴卡琳,雅各布·貝塔隆,特穆拉·莫里森,克萊斯·邦,弗蘭基·亞當斯,石原崇雅,斯蒂芬·魯特,大衛(wèi)·赫克里·肯努·貝爾,Mark R Black,Marris Collins,馬卡納·大衛(wèi),邁克·愛德華,蘿伊瑪塔·福克斯,瑪雅·凱洛哈,Cyndi Mayo-Akeo,Cyndi Mayo,斯蒂芬·歐陽,莉迪亞·佩克漢講述一對性格迥異的同父異母兄弟——哥哥是行事沖動的偵探,弟弟是紀律嚴明的海軍海豹突擊隊員——因父親在夏威夷遇害而被迫聯(lián)手,踏上一場危機四伏的追尋之路,誓要揭開背后隱藏的驚天陰謀。