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亨利·休格的神奇故事
本尼迪克特·康伯巴奇,拉爾夫·費(fèi)因斯,本·金斯利,戴夫·帕特爾,理查德·艾歐阿德銀河守門(mén)員
維多利亞·阿加拉科娃,Georgiy Bestaev,Khristina Blokhina,Valeriya Bukhina,沃爾夫?qū)と麪柲?Aleksandra Cherkasova,Artyom Chetverikov,Ekaterina Dar,Olga Degtyaryova,瓦萊麗婭·德米特里耶娃,Pavel Dorofeev,米克哈爾·弗里蒙弗,Ivan Egorov,Diana Enakaeva,Ivan Fedotov,斯維特蘭娜·伊萬(wàn)諾娃,瑪爾塔·蒂莫菲娃,尤里·庫(kù)琴科,葉甫蓋尼·米羅千億之吻
段天恩,黎春進(jìn),麻蘭都,秋莊,范進(jìn)祿繼續(xù)跳舞
繆騫人,林建明,黃霑,周文健,孟海血屋之謎
死亡陰影
Gilles Barret,Margaux Devy,Sylvain Dubois同類(lèi)推薦
荷蘭人
安德烈·霍蘭,凱特·瑪拉,斯蒂芬·亨德森,莎姬·貝茲,阿爾迪斯·霍吉,勞倫·E.班克斯,特蕾西·懷爾德,蘭尼·普拉特,本杰明·泰思,Shonica Gooden,Lazarus Simmons,Sally Stewart,托尼·托爾恩,凱文·泰勒·羅德里格斯,Hyunmin Rhee,Natasja Naarendorp,邁克爾·勞倫斯,Christopher Batyr,Christopher Cortez Adams,Mounir QuazzaniSet on a New York subway, The Dutchman centers on an encounter between a well-to-do Black man and an enchanting white woman who match wits in a sexualized game of cat and mouse that leads to a violent conclusion.
捆綁上天堂
倪妮,周游,廖凡一個(gè)筋疲力盡的女人(倪妮 飾)點(diǎn)燃了一個(gè)心如槁木的男人(周游 飾),他們隨欲而愛(ài),開(kāi)始了一段靈與肉、生與死緊緊捆綁的流亡之旅?! ∪剌氜D(zhuǎn),燃燒著,共入地獄?! ∷募玖鬓D(zhuǎn),愛(ài)爽了,再上天堂。
黑暗中的救贖
果靖霖,任泉,劉敏濤,郝平,孫一理在一個(gè)喧鬧、嘈雜的迪廳中,一群衣著時(shí)尚暴露的青年男女正在吸食著毒品,隨著毒品效果的發(fā)作,男女們的行為更加放蕩,而就在這群人中一個(gè)憂郁冷峻的年輕人林雨(任泉 飾)正在若有所思的抽著煙。這時(shí),大批的警察突襲迪廳,混亂中林雨奮力的向外沖去,慌忙中他把一個(gè)擋在面前的警察扎倒在地……黎明,驚魂未定的林雨被帶進(jìn)了城東看守所,獄警盧建軍(果靜林 飾)在一旁冷眼旁觀,然而讓他始料不及的是,一段被埋藏了二十多年的驚天秘密,將在他和這個(gè)鋃鐺入獄的年輕人之間展開(kāi)。
對(duì)不起,我們錯(cuò)過(guò)了你
克里斯·希欽,黛比·哈尼伍德,瑞斯·斯通,凱蒂·普洛克特,查理·里士滿,史蒂芬·克雷格,哈瑞特·構(gòu)斯特,米奇·麥格雷戈,羅斯·布魯斯特,朱利安·艾恩,希拉·鄧克利,馬克西·彼得斯,克里斯托弗·約翰·斯萊特,希瑟·伍德,阿爾伯特·鄧巴,納塔利婭·斯通班克斯,喬丹·科拉德,戴夫·特納故事發(fā)生在英格蘭北部的紐卡斯?fàn)?,因?yàn)樵庥隽舜钨J危機(jī),瑞奇(克里斯·希欽 Kris Hitchen 飾)不僅丟掉了工作,還背負(fù)上了巨額的債務(wù)。為了維持生計(jì),瑞奇貸款買(mǎi)了一輛小貨車(chē),準(zhǔn)備靠送貨來(lái)開(kāi)啟事業(yè)的第二春,哪知道他這一沒(méi)有經(jīng)過(guò)思考的舉動(dòng)給整個(gè)家庭都帶來(lái)了無(wú)法挽回的傷害 ?! ∪鹌娴钠拮影龋毂取す嵛榈?Debbie Honeywood 飾)是一名家政工,專(zhuān)門(mén)為殘疾人和老人服務(wù),如今,她不得不依靠公交車(chē)往返于不同的雇主家中,這令她感到非常的疲憊。為了償還貨車(chē)的貸款,瑞奇不得不將更多的時(shí)間花費(fèi)在工作上,這令他們的大兒子塞布(瑞斯·斯通 Rhys Stone 飾)感到備受冷落。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster