影片推薦
養(yǎng)鬼吃人8:地獄世界
蘭斯·亨利克森,凱瑟琳·溫妮克,克里斯托弗·賈科特,卡里·佩頓,亨利·卡維爾,維克多·麥奎爾,道格·布拉德利,Catalina Alexandru綁架
保羅·皮耶羅邦,福斯托·魯索·阿萊西,芭芭拉·朗奇,Enea Sala,萊昂納多·馬爾特斯,菲利波·蒂米,法布里齊奧·吉福尼,Andrea Gherpelli,Samuele Teneggi,科拉多·因韋爾尼齊,Aurora Camatti,保羅·卡拉布雷西,布魯諾·卡里諾,Renato Sarti,Fabrizio Contri,費德里卡·弗拉卡西,查士丁尼·阿爾皮,亞歷山德羅·班迪尼,James Basham,Leonardo Bianconi格吉(殺人鬼)
卡文·英瑪諾泰,Supawadee Kitisopakul,??????? ????????????治療尸
陳郡君,張立昂,蔡子,陳沛興,鐘麗芬,劉芷希玩命魔術(shù)
林更新,劉添月,劉家輝,午馬,周放伊甸之槍
Alexandra Faye Sadeghian,Bill Kennedy,Peter Johnson同類精選
最后決戰(zhàn)
皮埃爾·若利韋,讓·布伊茲,讓·雷諾女人
寶拉雅娜·麥金托什,勞倫·阿什利·卡特,肖恩·布里吉格斯,安吉拉·貝蒂斯,卡爾利·貝克,馬西婭·貝內(nèi)特,喬安娜·哈靈頓,湯米·尼爾森,Shyla Molhusen,Gordon Vincent,Zach Rand,Shelby Mailloux,Tyler Merlini,Jordan Carrasquillo,Jordan Chapalonis鏡中人
英迪婭·埃斯利,詹森·艾薩克,佩內(nèi)洛普·米契爾,米拉·索維諾,哈里森·吉爾伯特森,克里斯汀·哈里斯,亞當(dāng)·哈蒂格,康納·彼得森,辛蒂·邁斯科記憶裂痕:血親幻影
里羅·得萬托,法拉迪娜·穆夫提,馮尼·安格萊尼,Jordan Omar,Nova Eliza,Gambit Saifullah,Tony Merle,Sultan Hamonangan,Henry Manampiring老兄救命
普拉迪普·蘭加納坦,Mamitha Baiju,R. Sarathkumar,羅希尼,赫里杜·哈龍,Dravid Selvam倫敦呼叫
喬什·杜哈明,杰里米·雷·泰勒,里克·霍夫曼,艾丹·吉倫,阿諾德·沃斯洛,尼爾·桑迪蘭茲,布蘭登·奧雷,Daniel Lasker,丹尼·戴·維利爾斯,卡爾·桑寧,Nathan Castle,Matthew Dylan Roberts,Ntlanhla Morgan Kutu,杜馬尼·西福塞蘇·姆蒂亞,Daniel Levi Thomas,Finnley Barnett,Francois Nel影視排行
魔鏡咒
Davina Karamoy,Ully Triani,Randy Nidji,Eduward Manalu,Beby Evelyn,Dian Sidik,Syifa Aulia恐怖和奇怪的事件困擾著瑪雅和她家人的生活,她懷疑舅舅和舅媽是幕后黑手,因為他們一直想要獲得瑪雅家從外公那里繼承的房子和土地。但是這種貪戀吸引了一股可怕的力量,這股力量的目標(biāo)是瑪雅全家。
年獸
陳創(chuàng),姜彭,呂妍,於薇妮,杜星奇,劉霖,鄭龍胡家莊年味漸淡,寒暑異常,舞獅少年羅川跳脫飛揚(yáng),異想天開,夢想把舞獅技藝發(fā)揚(yáng)光大,卻常常弄巧成拙,所到之處雞飛狗跳,被村民視為“掃把星”,是村長胡長禮眼中的“危險分子”。年獸小五意外降臨人間,大鬧村莊,勾走了傳家寶——獅頭。羅川為找回獅頭,和下凡捉年獸的鼠仙阿細(xì)相識,兩人逐漸發(fā)現(xiàn)年獸并不可怕,可以和人類做朋友,但胡長禮愛村心切,被噬靈妖蠱惑,遁入瘋魔,制造了一場針對年獸的陰謀,最終羅川和阿細(xì)聯(lián)合村民,打敗了噬靈妖,喚醒了胡長禮,胡家莊重歸熱鬧,眾人歡歡喜喜迎接春節(jié)到來。
震耳欲聾
檀健次,蘭西雅,王戈,王硯輝,遲蓬,潘斌龍,李菁菁,寧桓宇,周政杰灰度律師李淇(檀健次飾)因出身于聾人家庭,被卷入一場聾人反詐案中。當(dāng)他利用案件名利雙收之時,卻未曾想詐騙案遠(yuǎn)比想象的復(fù)雜。這一次,在欲望和良知的抉擇中,他會如何破局? 本片部分取材自CODA律師張琪真實從業(yè)經(jīng)歷。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster