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異形帝國
詹姆斯·肯恩,曼迪·帕廷金,特倫斯·斯坦普,皮特·杰森,杰夫·科伯,托尼·佩雷斯,布萊恩·湯普森,弗朗西斯·X.麥卡蒂,基內(nèi)·揚(yáng),阿爾·伯恩,弗蘭克·考利森,湯姆·莫爾加,亞歷克·吉利斯,林凡 ,賈斯珀·科爾,Roger Aaron Brown,Don Hood,Edgar Small,Harri James,Brian Lando,Regis Parton,Jessica James,Clarence Landry,George Robotham,James De Closs故事背景是未來世界的洛杉磯，此時(shí)已有三十萬的外星人勞工移民進(jìn)入美國，跟地球人打成一片。地球刑警塞克斯的搭檔慘遭殺害，為了找出真兇，他只有接受外星族警察法蘭西斯作為新搭檔。在追查真相過程中，兩個(gè)不同種類的刑警逐漸消除了對(duì)彼此的不信任，以及克服在不同種族查案時(shí)遇到的阻礙，合力對(duì)付主要的嫌疑犯——不懷好意的地球企業(yè)家泰倫斯·史丹普。
玉米地的小孩：大逃亡
瑪茜·米勒,Molly Nikki Anderson,Blaine Maye,Lynn Andrews III,JR Hatchett,Mary Kathryn Bryant,Jake Ryan Scott,Sara Moore,Gavin Taylor,Debbi Tucker,Glenda Taylor,Cacky Poarch,Tom Allen,Tyler Corbin,Daria Balling,William Sturgeon年輕的孕婦露絲逃脫了兇殘的兒童邪教。在接下來的十年里，她匿名生活，試圖使兒子免遭她小時(shí)候所經(jīng)歷的恐怖，但有邪惡跟著她，現(xiàn)在，她必須面對(duì)邪惡，或者失去孩子……
九龍大眾浪漫真人版
吉岡里帆,水上恒司,龍星涼,柳俊太郎,梅澤美波,花瀨琴音 ,フィガロ?ツェン,山中崇,サヘル?ローズ,關(guān)口曼迪,島田久作本片改編自同名漫畫，講述了在充滿懷舊氣息的街道·九龍的不動(dòng)產(chǎn)公司工作的鯨井令子和她心儀的職場前輩·工藤發(fā)之間交織而成的懸疑愛情羅曼史。故事由令子偶然發(fā)現(xiàn)一張照片，得知工藤過去有個(gè)和自己長得一模一樣的未婚妻開始...
哈文赫特死亡公寓
Julie Benz,Fionnula Flanagan,Belle Shouse一個(gè)女人，她的一個(gè)好朋友住進(jìn)了哈文赫特公寓就再也沒有消息，然后杰奎琳住進(jìn)這棟公寓進(jìn)行調(diào)查，卻發(fā)現(xiàn)了這棟公寓的不為人知的歷史.....
赤紅生死線
尼塔莎·吉拉尤吉恩,艾絲特·蘇普莉拉,Chutima Maholakul,托德薩蓬·邁蘇克,奔弘·奔提維此弓,寶哇麗·彭琵莫,阿卡那·凌米查,戴德·納塔南·昆瓦特三名女子淪為冷血電話詐騙的受害者。為了討回公道，他們決定對(duì)抗奪走他們金錢與尊嚴(yán)的犯罪網(wǎng)絡(luò)。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster